Smithsonian Women’s Museum chaos, Oliver Beer and Rufus Wainwright, Jasper Johns in Bilbao—podcast
By Ben Luke, David Clack, Alexander Morrison
The Smithsonian Institution in Washington, D.C. has faced unprecedented scrutiny and government interference since President Trump came to power. Now, its long cherished plans for a Smithsonian American Women’s History Museum on the National Mall in D.C. have been dealt a blow because the US House of Representatives has struck down a bill to build the museum. Ben Luke talks to Elena Goukassian, The Art Newspaper’s senior editor of museums and heritage in New York, about the partisan rift that led to failure of the bill, as well as other developments relating to the Smithsonian.
Oliver Beer, Resonance Painting (On and Ever Onward) (2026)
© Oliver Beer. Courtesy Thaddaeus Ropac gallery, London · Paris ·Salzburg · Milan · Seoul. Photo: Prudence Cuming Associates
As part of London Gallery Weekend, which begins on 5 June, the British artist Oliver Beer will show new paintings and related sound and video works in an exhibition, The Sky in the Cave, at Thaddaeus Ropac. The show relates to Beer’s opus Resonance Project: The Cave, in which he brought eight singers into a prehistoric painted cave in the Dordogne in France to respond to its particular acoustic frequencies. Among them was the singer songwriter Rufus Wainwright, and Ben speaks to Oliver and Rufus about their collaboration.
Jasper Johns, Painting with Two Balls (1960)
© Jasper Johns, VEGAP, Bilbao, 2026
And this episode’s Work of the Week is Painting with Two Balls by Jasper Johns. It is part of a new retrospective of the American artist’s work at the Guggenheim Bilbao, Night Driver. Ben talks to the exhibition’s curator, Enrique Juncosa.
This article was originally published by The Art Newspaper.
