Artworks · Ben Kinmont

665 artworks · page 4 of 14

📷 With images only (11)

An Anthropological consideration of ethics in project art practices

2011 · 13 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Project Series: Moveable type no Documenta

2011 · 30 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Towards a definition of project art….Ethical considerations in project art. [NY workshop edition]

2011 · broadside, offset

Museum of Modern Art

Towards a definition of project art….Ethical considerations in project art

2011 · broadside, offset

Museum of Modern Art

Offset printing plates used in the making of the broadside Towards a definition of project art….Ethical considerations in project art

2011 · Printing plates

Museum of Modern Art

Polymer printing plate used for making the cover of the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

2011 · Polymer printing plate

Museum of Modern Art

Email correspondence between Kinmont and Godfre Leung, Assistant Professor of Art History, Western Michigan University, “I am teaching a course on Institutional Critique at Western Michigan University this semester and am assigning your chapbook on Christopher D’Arcangelo…”

2011 · stapled in the upper left corner, laser printouts, printed in black ink with notes handwritten in pencil on white paper

Museum of Modern Art

Project Series: Moveable type no Documenta

2011 · 30 leaves, binder-clipped in the upper left corner, photocopy, downloaded from antinomianpress.org, printed in black ink on white paper

Museum of Modern Art

Articles by Luis Jacob, from his book Commerce by Artists

2011 · stapled in the upper left corner, photocopy, printed recto/verso in black ink with notes handwritten in pencil on

Museum of Modern Art

Mouvement, no. 60, July-September, 2011, pp. 126-27, Vers une definition du project art & Considérations éthiques sur le project art

2011 · two full-page inserts, printed offset

Museum of Modern Art

An Anthropological consideration of ethics in project art practices

2011 · 13 leaves, paper-clipped in the upper left corner, photocopy

Museum of Modern Art

Materialization of life into alternative economies. Paris edition: towards project art and sustainability

2011 · 18 leaves, stapled in upper left corner, photocopy

Museum of Modern Art

Typewritten book list for the Ben Kinmont, Bookseller booths at the San Francisco bookfair

2011 · written with a manual typewriter in red and black ink with corrections in blue ink and white-out, with handwriting and the two logos drawn in pencil, on white paper

Museum of Modern Art

Inventory list of items exhibited at the Fales Library during Prospectus New York: an exhibition of Ben Kinmont archives

2011 · paper-clipped in the upper left corner, photocopy

Museum of Modern Art

Sans Niveau ni Mètre, Journal du Cabinet du Livre D’Artiste, 10 February – 4 April 2011, No. 18, “La Photocopie”

2011 · printed in black ink with photographs in black and white on white paper

Museum of Modern Art

CÉ

Considérations Éthiques sur le Project Art. Quercy : Mercuès

2011 · broadside, printed offset

Museum of Modern Art

Trois cours de gastronomie

2011 · broadside, printed letterpress

Museum of Modern Art

Signature of the illustrations from the book Prospectus. 1988-2010. Forty-two works by Ben Kinmont

2011 · taped on the upper edge, printed in black ink with handwriting in pencil on white paper

Film used for the making of one of the polymer plates from Prospectus. 1998-2010. Forty-two works by Ben Kinmont

2011 · Film used for the making of one of the polymer plates

Proof of the cover from the second edition of the book Prospectus. 1988-2010. Forty-two works by Ben Kinmont

2011 · printed in black and red ink on light blue paper

Museum of Modern Art

Invoice of two bills to Ben Kinmont, Bookseller from Patrick Reagh Printers, Inc., for the printing of 100 copies of Prospectus for Air de Paris

2010 · laser printouts

Museum of Modern Art

Email correspondence between Kinmont and Joseph del Pasco, “Hi Ben, Good speaking with you this morning…”

2010 · laser printout

Museum of Modern Art

Letter to Kinmont from Patrick Reagh, “Dear Ben, Here are some figures regarding the printing of Prospectus…”

2010 · laser printout, printed in black ink with handwriting in red ink and pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Joseph del Pasco, “Hi Ben, great to read the additions to the new edition of Prospectus…”

2010 · laser printout, printed in black ink with handwriting in red ink and pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Lionel Bovier, “Ok. In a couple of weeks I’ll know the cost in the book…”

2010 · stapled in the upper left corner, laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Draft of the preface, appendix and colophon page from the expanded edition of Prospectus 1998-2010. Forty-two works by Ben Kinmont

2010 · paper-clipped in the upper left corner, laser printout, printed in black ink with handwriting in red ink on white paper

Museum of Modern Art

Draft of the preface from the expanded edition of Prospectus 1998-2010. Fortytwo works by Ben Kinmont

2010 · stapled in the upper left corner, laser printout, printed in black ink with handwriting in red ink and pencil on white paper, with handwriting in red ink on the verso of the second page

Museum of Modern Art

Invoice of the bill to Ben Kinmont, Bookseller from Patrick Reagh Printers, Inc., for the printing of 100 copies of Prospectus for Kunstverein, Amsterdam

2010 · laser printouts

Museum of Modern Art

Letter to Kinmont from Ariana Jacob, “I just found out about your project and publication If you smile…”

2010 · laser printout

Drafts of the broadside Gastronomie

2010 · stapled in the upper left corner; with three pages of email correspondence

Museum of Modern Art

Polymer printing plate used for the making of the broadside Gastronomie

2010 · Polymer printing plate

Museum of Modern Art

Materials related to the workshop Double Bind/Arrêtez d’Essayer de me Comprendre!, Villa Arson, Nice, and the Antinomian Press publication Sèrie des Ètudiants : École Nationale Supérieur d’Art, Villa Arson. Vers un reflexion sur l’instrumentalisation

2010

Museum of Modern Art

Reproduction of Kinmont’s Antinomian Press publication Exhibitio chimerica: or, part one of a collection of project descriptions in the history of conceptual art

2010 · stapled in the upper left corner, photocopy

Museum of Modern Art

Article from Print Quarterly, XXVII, 2010, I, “Free Prints and Multiples in Contemporary France” by Océane Delleaux

2010 · stapled in the upper left corner, photocopy

Museum of Modern Art

Email correspondence between Kinmont and Nicolas Regamey, “graphiste –typographe,” Atelier Typo, Lausanne, “Sorry for the delay of my answer….”

2010 · laser printout

Museum of Modern Art

Handwritten letter to Kinmont from Ariana Jacob, “Thanks for your nice handwritten reply…”

2010 · handwritten in black ink and pencil on a yellow ink-stamped light blue notecard

Museum of Modern Art

Folder containing materials from the preparation for the broadside Gastronomie

2010 · Folder containing materials from the preparation for the broadside Gastronomie

Museum of Modern Art

Draft of Gastronomy

2009 · broadside, printed letterpress

Museum of Modern Art

Project Series: Félix Fénéon

2009 · 25 leaves, stapled in the upper left corner and photocopied

Museum of Modern Art

Project Series: Félix Fénéon

2009 · 14 leaves, stapled in the upper left corner and photocopied

Museum of Modern Art

Gastronomie from Antinomian Press Archive

2009 · Letterpress broadside

sheet: 19 x 12 1/2" (48.3 x 31.8 cm)

Museum of Modern Art

Gastronomie from Antinomian Press Archive

2009 · Letterpress broadside

sheet: 18 7/8 x 12 1/2" (48 x 31.8 cm)

Museum of Modern Art

Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1515-1988….Catalogue twelve

2009 · perfect bound, printed wrappers, printed letterpress

Museum of Modern Art

Project Series: Christopher D’Arcangelo

2009 · [29] leaves, clipped with a small binder clip in the upper left hand corner, photocopy

Museum of Modern Art

Student Series: CCA Fall 2005. Project art, some definitions, ethical considerations, and descriptions

2009 · 7 leaves, stapled in the upper left corner

Museum of Modern Art

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