Artworks · Ben Kinmont

Eight polymer printing plates, from the making of the seventh gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the ninth gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Folded signatures of print proofs for Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Folded signatures of print proofs

Museum of Modern Art

Two polymer printing plates, from the making of the eighth gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Two polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the sixth gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the third gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the fourth gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the fifth gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the second gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Eight polymer printing plates, from the making of the first gathering of Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · Eight polymer printing plates

Museum of Modern Art

Article from May magazine, No. 8, 02/2012, “Archives avec et sans forms” by Catherine Chevalier

2012 · stapled in the upper left corner, photocopy

Museum of Modern Art

Gastronomy. A Catalogue of books & manuscripts on cookery…c. 1517-2006….Catalogue thirteen

2012 · perfect bound, printed wrappers, printed letterpress

Museum of Modern Art

Project Series: Moveable type no Documenta

2012 · 30 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Inventory List: Moveable type no Documenta

2012 · 12 leaves, stapled in the upper left corner, in black ink on white paper

Museum of Modern Art

Article on Kinmont and the Antinomian Press, from Art Metropole’s Retail Catalogue 2012

2012 · stapled in the upper left corner, photocopy

Museum of Modern Art

Kinmont’s handwritten notes preparing for the show at Frieze Art Fair, New York, “possible pieces: moveable type no Documenta…”

2012 · pencil on white paper

Museum of Modern Art

Project Series: Moveable type no Documenta

2012 · 30 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

“Ben Kinmont at Kadist Art Foundation, Paris,” printout of online article in Mousse Magazine, dated 20 April 2011, regarding the exhibition Prospectus: Paris and mentioning the Antinomian Press

2011 · Printed online article on six sheets of paper, stapled in the upper left-hand corner

11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

Draft of the text for Ethical consideration in project art and Towards a definition of project art

2011 · Eleven pages, printed in black ink on white paper with sketches of the broadside on the first page in black ink and red color pencil, stapled in the upper left hand corner

8 ½ x 11 inches

Museum of Modern Art

Printout of Flash Art’s advertising rates, paper clipped to Kinmont’s notes on dimensions for an advertisement with a 5 ¾ x 3 ½ inch handwritten note taped to the verso, and five samples of the Towards a definition of project art…. Ethical consideration in project art advertisement

2011 · One printed in grayscale and four printed in red and black ink on white paper

11 x 8 ½ inches

Museum of Modern Art

Broadside proof for An exhibition in your mouth, [Amsterdam:] Antinomian, Press, 2011

2011 · Broadside proof

proof: 16 ½ x 11 ¾ inches (open), paper sample: 19 x 12 ½ inches (open)

Museum of Modern Art

Proof of the printed wrappers for Prospectus. 1988-2010. Forty-two works by Ben Kinmont. [Sebastopol: Antinomian Press, 2011]

2011 · Letterpress

10 x 19 inches

Museum of Modern Art

Project Series: Christopher D’Arcangelo. Savigny s/Orge: Antinomian Press, 15 June 2011

2011 · 30 leaves, stapled in the upper left hand corner, black ink on white paper

8 ¼ x 11 3/4 inches

Museum of Modern Art

Wall label for the Antinomian Press during its exhibition at the Kadist Art Foundation, Paris, 2011, “Antinomian Press, begun 1995,” with a description of the press

2011 · Printed in black on teal cardstock

8 ½ x 6 inches

Museum of Modern Art

“INVOICE FOR THE PRINTING OF PROSPECTUS,”

2011 · laser printout

Museum of Modern Art

“INVOICE FOR THE PRINTING OF PROSPECTUS,”

2011 · laser printout

Museum of Modern Art

List of “Scans from Pat [Reagh] 21 Jan 2011,” printed from Kinmont’s PC, with Kinmont’s handwritten notes, “Alyn Sura…”

2011 · printed in black ink with handwriting in red and black ink and pencil on white paper

Museum of Modern Art

Invoice of the bill to Ben Kinmont, Bookseller from Patrick Reagh Printers, Inc., for the printing of 100 copies of Prospectus for the Kadist Foundation, Paris

2011 · laser printouts

Museum of Modern Art

Email correspondence between Kinmont and Florence Bonnefous at Air de Paris, “Hi Ben, you can call me anytime…”

2011 · laser printout

Museum of Modern Art

Drafts of the colophon page from Prospectus 1998-2010. Forty-two works by Ben Kinmont

2011 · paper-clipped in the upper left corner, printed in black ink with handwritten notes in pencil, black felt pen and black and red ink, and in red colored pencil

Museum of Modern Art

Invoice of the bill to Ben Kinmont, Bookseller from Patrick Reagh Printers, Inc., for the printing of Prospectus

2011 · laser printout

Museum of Modern Art

Towards a definition of project art….Ethical considerations in project art

2011 · broadside, offset

Museum of Modern Art

Linotype printing plate from the making of the broadside Trois cours de gastronomie

2011 · Linotype printing plate

Museum of Modern Art

Mouvement, no. 60, July-September, 2011, pp. 126-27, Vers une definition du project art & Considérations éthiques sur le project art

2011 · two full-page inserts, printed offset

Museum of Modern Art

Polymer printing plate used for the making of the broadside An Exhibition in Your Mouth

2011 · Polymer printing plate

Museum of Modern Art

Towards a definition of project art….Ethical considerations in project art. [NY workshop edition]

2011 · broadside, offset

Museum of Modern Art

Project Series: Moveable type no Documenta

2011 · 30 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Proof of the cover from the second edition of the book Prospectus. 1988-2010. Forty-two works by Ben Kinmont

2011 · printed in black and red ink on light blue paper

Museum of Modern Art

Final galleys from the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

2011 · printed recto/verso in red and black ink on white paper

Museum of Modern Art

Tan archival box containing: a special artists’ edition of the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

2011 · Tan archival box containing: a special artists’ edition of the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

Museum of Modern Art

An Exhibition in your mouth

2011 · broadside, printed letterpress

Museum of Modern Art

Project Series: Moveable type no Documenta

2011 · 30 leaves, binder-clipped in the upper left corner, photocopy, downloaded from antinomianpress.org, printed in black ink on white paper

Museum of Modern Art

Email correspondence between Kinmont and Godfre Leung, Assistant Professor of Art History, Western Michigan University, “I am teaching a course on Institutional Critique at Western Michigan University this semester and am assigning your chapbook on Christopher D’Arcangelo…”

2011 · stapled in the upper left corner, laser printouts, printed in black ink with notes handwritten in pencil on white paper

Museum of Modern Art

Proof of the cover from the second edition of the book Prospectus. 1988-2010. Forty-two works by Ben Kinmont

2011 · printed in black and red ink on light blue paper

Museum of Modern Art

Student Series: L’École Régionale de Beaux Arts, Valence. Or, considerations towards helping others in an art practice

2011 · 20 leaves, stapled in upper left corner, photocopy

Museum of Modern Art

Proofs from the second edition of the book Prospectus. 1988-2010. Forty-two works by Ben Kinmont

2011 · paper clipped in the upper left corner, printed recto/verso in black and red ink on white paper

Museum of Modern Art

Polymer printing plate used for the making cover of the book Prospectus. 1998-2010. Forty-two works by Ben Kinmont

2011 · Polymer printing plate

Museum of Modern Art

Offset printing plates used in the making of the broadside Towards a definition of project art….Ethical considerations in project art

2011 · Printing plates

Museum of Modern Art