Artworks · Ben Kinmont

Project Series: Christopher D’Arcangelo

2009 · [29] leaves, clipped with a small binder clip in the upper left hand corner, photocopy

Museum of Modern Art

Student Series: CCA Fall 2005. Project art, some definitions, ethical considerations, and descriptions

2009 · 7 leaves, stapled in the upper left corner

Museum of Modern Art

“En Marche,” La galerie extérieure, may 2008”

2009 · handwritten in black felt pen on an imitation DVD, 4 ¾ inches in diameter; in a hard case, 5 x 5 ½ inches; binder-clipped on the left side to a handwritten note from Keren (Detton) & Géraldine

Museum of Modern Art

Gastronomy from Antinomian Press Archive

2009 · Letterpress broadside

sheet: 19 1/2 x 13 3/4" (49.5 x 34.9 cm)

Museum of Modern Art

Gastronomy from Antinomian Press Archive

2009 · Letterpress broadside

sheet: 19 1/2 x 13 3/4" (49.5 x 34.9 cm)

Museum of Modern Art

Student Series: École des Beaux-Arts de Bordeaux, or considerations towards a typology of disapearance

2008 · draft, 22 leaves, paper-clipped in the upper left corner, photocopy

Museum of Modern Art

L’Art Meme No. 38

2008 · catalogue

Museum of Modern Art

Student Series: École des Beaux-Arts de Bordeaux, or considerations towards a typology of disapearance

2008 · draft, 22 leaves,stapled in the upper left corner, photocopy

Museum of Modern Art

“Note en guise de préface,” written by Kinmont in Bordeaux

2008 · laser printout

Museum of Modern Art

“Note en guise de préface,” written by Kinmont in Bordeaux

2008 · laser printout

Museum of Modern Art

Email correspondence between Kinmont and Rachel Adams, “I met you a few weeks ago when you came and lectured at SFAI….,”

2008 · laser printout

Museum of Modern Art

Email correspondence between Kinmont and Dean MacGregor, “I wanted to ask you about Christopher D’Arcangelo….,”

2008 · laser printout

Museum of Modern Art

Email from Keren Detton to Kinmont and others involved in the “Walk in Paris” project

2008 · laser printout; stapled in the upper left corner to two laser printouts of a photograph in black and white; printed in black ink with Kinmont’s handwritten notes in pencil on light blue paper

Museum of Modern Art

Flyer advertising Kinmont’s Street Projects

2008 · aser printout, printed in black ink with Kinmont’s handwritten notes in pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Gavin Wade, Director and Curator, Eastside Projects, Birmingham, UK

2008 · stapled in the upper left corner, laser printout, printed in black ink with notes handwritten in pencil on white paper

Museum of Modern Art

Email to Kinmont from Keren Detton

2008 · laser printout; stapled in the upper left corner to a photocopy of an article titled “Thorsten Streichardt Shell Shelf”

Museum of Modern Art

Email from Claire Ruud to Kinmont, “Hi Ben, Thank you so much for coming to Austin,” regarding Kinmont’s archives and how they transform over time, dated 28 September 2007

2007 · Printed email

11 x 8 ½ inches

Museum of Modern Art

Student Series: Les >>Coles de Beaux-Arts D’Angers, Bourges et Valence. Or, considerations towards an art practice concerned with hardship. St. Croix:, Antinomian Press, 25 May & 6 November 2007

2007 · 22 leaves, printed in black ink on white paper

11 x 8 ½ inches

Museum of Modern Art

Gastronomy, a catalogue of books & manuscripts on cookery….1537-c. 1945….Catalogue eleven

2007 · book, letterpress printed

Museum of Modern Art

Set of the question cards which were handed out to the audience at the beginning of the lecture given by Kinmont at the Blanton Musem of Art, Austin,then collected and collated into the joint publication Uninvited. Austin: Antinomian Press, 2007, which was handed out at the end of the lecture

2007 · printed in black ink on light grey paper

Museum of Modern Art

Sample question card left after they were handed out to the audience at the beginning of the lecture given by Kinmont at the Blanton Musem of Art, Austin, then collected and collated into the joint publication Uninvited. Austin: Antinomian Press, 2007, which was handed out at the end of the lecture

2007 · printed in black ink on light grey cardstock

Museum of Modern Art

Speculum mensae from Antinomian Press Archive

2007 · Letterpress broadside

sheet: 24 x 9 1/4" (61 x 23.5 cm)

Museum of Modern Art

Uninvited

2007 · 47 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Exhibition Catalogue Transactions, an exhibition curated by Kelly Baum, 11 September – 18 November, Austin: Blanton Museum of Art, The University of Texas at Austin

2007 · printed in black ink with illustrations in color on white paper, in red paper wrappers

Museum of Modern Art

Article from Capital magazine

2007 · laser printout, printed in black ink on white paper

Museum of Modern Art

Student Series: California College of the Arts. Or, considerations towards helping others in an art practice

2006 · master copy, 20 leaves, paper-clipped in the upper left corner, photocopy

Museum of Modern Art

Student Series: L’École Régionale de Beaux Arts, Valence. Or, considerations towards helping others in an art practice

2006 · master copy for the dos-à-dos edition, [20] leaves (including interleaved blanks), paper-clipped in upper left corner, photocopy, 250 copies printed and given to students and faculty at CCA, in French and English, printed in black ink on white paper

Museum of Modern Art

Color photograph of Dean Inkster and students sitting around a table during the workshop at L’Ecole Régionale des Beaux Arts de Valence, Sainte-Croix

2006 · Photograph

Museum of Modern Art

Color photograph of Dean Inkster and students walking on a dirt road during the workshop at L’Ecole Régionale des Beaux Arts de Valence, Sainte-Croix

2006 · Photograph

Museum of Modern Art

Folder used by Kinmont during the workshop at L’Ecole Régionale des BeauxArts de Valence, Sainte-Croix, with Kinmont’s handwritten notes

2006 · handwritten in blue ink and pencil on cream-colored paper

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · stapled in the upper left corner, laser printout, printed in black ink with a photograph in black and white and handwriting in pencil on white paper

Museum of Modern Art

And here also

2006 · master copy, with black and white illustrations in the text, 13 leaves, paper-clipped in the upper left corner, photocopy

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · laser printout, printed in black ink with notes handwritten in pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Email correspondence between Kinmont and Dean Inkster about the workshop at L’Ecole Régionale des Beaux-Arts de Valence, Sainte-Croix

2006 · laser printout, printed in black ink with handwriting in pencil on white paper

Museum of Modern Art

Carte gastronomique de la France from Antinomian Press Archive

2006 · Letterpress broadside

sheet: 18 3/4 x 20" (47.6 x 50.8 cm)

Museum of Modern Art

To something else

2006 · with one black and white illustration in the text, 13 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

And here also

2006 · with black and white illustrations in the text, 13 leaves, stapled in the upper left corner, photocopy

Museum of Modern Art

Postcard to Kinmont from Lucy Lippard

2006 · a photograph from the Fifth Annual Biggest Vegetable & Best Poem contest, in Espinola, New Mexico, printed in color; with two postage stamps in the upper right corner; printed in black ink and handwritten in black ink and pencil on white paper

Museum of Modern Art

Les Contenances de la Table. Lyon: Pierre Mareschal & Barnabé Chaussard, c. 1503

2006 · Letterpress book

Museum of Modern Art

Student Series: L’École Régionale de Beaux Arts, Valence. Or, considerations towards helping others in an art practice

2006 · 19 leaves, stapled in upper left corner, photocopy, in French and English, printed in black ink on white paper, first edition

Museum of Modern Art

Color photograph of a fountain in Sainte-Croix, taken during the workshop at L’Ecole Régionale des Beaux Arts de Valence, Sainte-Croix

2006 · Photograph

Museum of Modern Art

Color photograph of a street in Sainte-Croix, taken during the workshop at L’Ecole Régionale des Beaux Arts de Valence, Sainte-Croix

2006 · Photograph

Museum of Modern Art

Kinmont’s lecture notes and sketches, “…as a sculptural practice…,” from the workshop at L’Ecole Régionale des Beaux Arts de Valence, Sainte-Croix, which led to the publication of Student Series: L’École Régionale de Beaux Arts, Valence. Or, considerations towards helping others in an art practice

2006 · handwritten in black and red felt pen on glossy white paper

Museum of Modern Art

Gastronomy, a catalogue of books & manuscripts on cookery….1537- c. 1945….Catalogue ten

2006 · book, letterpress printed

Museum of Modern Art

Student Series: L’École Régionale de Beaux Arts, Valence. Or, considerations towards helping others in an art practice

2006 · master copy, 20 leaves, paper-clipped in upper left corner, photocopy, in French and English, printed in black ink with notes handwritten in black ink on white paper

Museum of Modern Art