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Artworks

98,209 records · Art Institute Chicago matching “Tate
The Music Lesson
The Music Lesson
Jacob Ochtervelt
oil paint · 1671
Art Institute of Chicago
Meeting of Two Kings
Meeting of Two Kings
François Verdier
Black chalk, brush and gray wash, on tan laid paper, pieced together and laid down on blue laid paper · 1671
Art Institute of Chicago
Moses and the Brazen Serpent
Moses and the Brazen Serpent
François Verdier
Black crayon and brush and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on tan wove card · 1671
Art Institute of Chicago
Cobbler
Cobbler
Adriaen van Ostade
Etching in black on cream laid paper · 1671
Art Institute of Chicago
The Music Lesson
The Music Lesson
Jacob Ochtervelt
Oil on canvas · 1671
Art Institute of Chicago
Charger
Charger
Lambeth Potteries
Tin-glazed earthenware · 1670
Art Institute of Chicago
Portrait of Frances Theresa, Duchess of Richmond (1648-1702)
Portrait of Frances Theresa, Duchess of Richmond (1648-1702)
Richard Gibson
Opaque watercolor on paper · 1670
Art Institute of Chicago
The Abduction of the Sabine Women
The Abduction of the Sabine Women
Luca Giordano
Oil on canvas · 1670
Art Institute of Chicago
Flintlock Magazine Pistol (Lorenzoni System)
Flintlock Magazine Pistol (Lorenzoni System)
August Wetschgin
Walnut, steel, and brass · 1670
Art Institute of Chicago
The Abduction of the Sabine Women
The Abduction of the Sabine Women
Luca Giordano
Oil on canvas · 1670
Art Institute of Chicago
Moses Striking the Rock
Moses Striking the Rock
François Verdier
Pen and black ink, black crayon, brush and black ink, and black and gray wash, heightened with traces of white gouache, on tan laid paper (pieced together), laid down on cream laid card · 1670
Art Institute of Chicago
Bull Grazing and Three Sheep
Bull Grazing and Three Sheep
Adriaen van de Velde
Etching in black on paper · 1670
Art Institute of Chicago
Portrait of King Charles II (1630-1685)
Portrait of King Charles II (1630-1685)
Paul Prieur
Enamel on copper · 1670
Art Institute of Chicago
Bull Grazing and Three Sheep
Bull Grazing and Three Sheep
Adriaen van de Velde
Etching in black on paper · 1670
Art Institute of Chicago
Table Clock
Table Clock
André Charles Boulle
Walnut, ebony, oak, fruitwood, gilded brass, enamel, tortoiseshell, pewter, glass, steel, and various metals · 1670
Art Institute of Chicago
The Encampment
The Encampment
Joseph François
Etching on paper · 1670
Art Institute of Chicago
Saint Joseph and the Sleeping Christ Child
Saint Joseph and the Sleeping Christ Child
Bartolomé Esteban Murillo
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on beige wove card · 1670
Art Institute of Chicago
Saint Joseph and the Sleeping Christ Child
Saint Joseph and the Sleeping Christ Child
Esteban
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on beige wove card · 1670
Art Institute of Chicago
Autumn Maples with Poem Slips
Autumn Maples with Poem Slips
Tosa Mitsuoki
Six-panel screen (one of pair); Ink, colors, gold leaf, and gold powder on silk · 1670
Art Institute of Chicago
Christ and the Woman of Samaria
Christ and the Woman of Samaria
Jacob de Wit
Black chalk and brush and brown wash, on ivory laid paper, laid down on buff wove paper · 1670
Art Institute of Chicago
Departing for the Hunt
Departing for the Hunt
Jan Verkolje, I
Pen and brown ink, with brush and gray wash, over traces of graphite, on buff laid paper, pieced and tipped onto card · 1670
Art Institute of Chicago
Table Clock
Table Clock
André
Walnut, ebony, oak, fruitwood, gilded brass, enamel, tortoiseshell, pewter, glass, steel, and various metals · 1670
Art Institute of Chicago
Praying Magdalene
Praying Magdalene
Carlo Cignani
Red chalk, with stumping, heightened with touches of white chalk, on pale blue laid paper · 1670
Art Institute of Chicago
Detail Study for The Assumption of St. Agnes
Detail Study for The Assumption of St. Agnes
Giovanni Battista Gaulli
Pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk, on tan laid paper · 1670
Art Institute of Chicago
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