Database / Artworks

Artworks

164 records · Etching, aquatint, and drypoint
Linette from The Joy of Ornament
Linette from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Bird of Paradise from The Joy of Ornament
Bird of Paradise from The Joy of Ornament
Robert Kushner
Etching, aquatint, and drypoint from a portfolio of 17 etching and aquatints (six with drypoint) and three drypoints (two with aquatint) · 1980
Museum of Modern Art
Nancy Outside in July IV
Nancy Outside in July IV
Jim Dine
Hard and soft ground etching, aquatint, and drypoint on paper · 1978
Art Institute of Chicago
Füsli after Himself
Füsli after Himself
Horst Janssen
Etching, aquatint, and drypoint · 1976
Museum of Modern Art
Untitled from Eagle (Adler)
Untitled from Eagle (Adler)
Georg Baselitz
One etching, aquatint, and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art
Wrapper front from Le Courtisan grotesque (The Grotesque Courtier)
Wrapper front from Le Courtisan grotesque (The Grotesque Courtier)
Joan Miró
Etching, aquatint, and drypoint from an illustrated book with sixteen etching and aquatints, nine with drypoint (including wrapper front) · 1974
Museum of Modern Art
Double page plate XI (folios 44 verso and 45) from Le Courtisan grotesque (The Grotesque Courtier)
Double page plate XI (folios 44 verso and 45) from Le Courtisan grotesque (The Grotesque Courtier)
Joan Miró
Etching, aquatint, and drypoint from an illustrated book with sixteen etching and aquatints, nine with drypoint (including wrapper front) · 1974
Museum of Modern Art
Double page plate XIV (folios 55 and 58 verso) from Le Courtisan grotesque (The Grotesque Courtier)
Double page plate XIV (folios 55 and 58 verso) from Le Courtisan grotesque (The Grotesque Courtier)
Joan Miró
Etching, aquatint, and drypoint from an illustrated book with sixteen etching and aquatints, nine with drypoint (including wrapper front) · 1974
Museum of Modern Art
The First Thanksgiving
The First Thanksgiving
Warrington Colescott
Etching, aquatint, and drypoint · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Jorge Castillo
Etching, aquatint, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
IV: Cisco Kid (folio 14) from The Mariposa Suite Nos. I-VI
IV: Cisco Kid (folio 14) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
V: Catalina View (folio 17) from The Mariposa Suite Nos. I-VI
V: Catalina View (folio 17) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
I: Mariposa Street (folio 5) from The Mariposa Suite Nos. I-VI
I: Mariposa Street (folio 5) from The Mariposa Suite Nos. I-VI
Warrington Colescott
Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure) · 1970
Museum of Modern Art
Memories: Circus, with El Gigante and Self-Portrait as a Baby–Old Man (Souvenirs: Cirque, avec El Gigante et autoportrait en bébé-vieillard) from Suite 347
Memories: Circus, with El Gigante and Self-Portrait as a Baby–Old Man (Souvenirs: Cirque, avec El Gigante et autoportrait en bébé-vieillard) from Suite 347
Pablo Picasso
Etching, aquatint, and drypoint · 1968
Museum of Modern Art
Plate (folio 36) from Hommage à Roger Lacourière
Plate (folio 36) from Hommage à Roger Lacourière
Joan Miró
Etching, aquatint, and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1968
Museum of Modern Art
Viol, avec un coq from Le cocu magnifique
Viol, avec un coq from Le cocu magnifique
Pablo Picasso
Etching, aquatint, and drypoint from an illustrated book with twelve etchings (five with aquatint, one with drypoint) · 1966
Museum of Modern Art
The White Bridge
The White Bridge
Luis López Loza
Etching, aquatint, and drypoint · 1964
Museum of Modern Art
In Birmingham Jail
In Birmingham Jail
Warrington Colescott
Etching, aquatint, and drypoint with roulette and found letterpress · 1963
Museum of Modern Art
Closed Ward #12
Closed Ward #12
Michael Mazur
Etching, aquatint, and drypoint on cream wove paper · 1962
Art Institute of Chicago
Composition
Composition
K.R.H. Sonderborg
Etching, aquatint, and drypoint with roulette · 1958
Museum of Modern Art
Composition
Composition
K.R.H. Sonderborg
Etching, aquatint, and drypoint with roulette · 1958
Museum of Modern Art
Untitled plate (page 1) from Sol de la Montagne
Untitled plate (page 1) from Sol de la Montagne
Dora Maar
Etching, aquatint, and drypoint from an illustrated book with four prints · 1956
Museum of Modern Art
Laurel Easton
Laurel Easton
Louise Bourgeois
Etching, aquatint, and drypoint · 1944
Museum of Modern Art
Laurel Easton
Laurel Easton
Louise Bourgeois
Etching, aquatint, and drypoint · 1944
Museum of Modern Art
Go to pageof 7