Browse Artworks

Soft blue landscape

Richard Hamilton

Collotype and screenprint on paper · 1979

Tate

Putting on de Stijl

Richard Hamilton

Collotype and screenprint on paper · 1979

Tate

Texas Mastaba, Project for 500,000 Stacked Oil Drums from America: The Third Century

Christo

Lithograph and screenprint with collage additions from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1976

Museum of Modern Art

America: The Third Century

Velox Ward

Portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Yankee Flame from America: The Third Century

Ben Schonzeit

Collotype from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

The Home My Daddy Built from America: The Third Century

Velox Ward

Collotype from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Concord from America: The Third Century

James Brooks

Screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Miles from America: The Third Century

James Rosenquist

Screenprint with airbrush additions from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

City from America: The Third Century

Costantino Nivola

Lithograph and screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

America Whistles from America: The Third Century

Edward Ruscha

Lithograph from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Bicentennial Print from America: The Third Century

Roy Lichtenstein

Lithograph and screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Deposit from America: The Third Century

Robert Rauschenberg

Screenprint with hand additions from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Still Life with Eggs, Candlestick and Bowl from America: The Third Century

William Bailey

Collotype from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Duck Out of Water from America: The Third Century

Raymond Saunders

Lithograph and screenprint with collage additions from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Beginning from America: The Third Century

Allan D'Arcangelo

Lithograph and screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Sunrise from America: The Third Century

Robert Andrew Parker

Lithograph from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)

Ernest Trova

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975

Museum of Modern Art

Paloma Picasso from Homage to Picasso (Hommage à Picasso)

Andy Warhol

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975

Museum of Modern Art

Palindrome

Richard Hamilton

Acrylic and collotype on paper · 1974

Tate

Untitled from Homage to Picasso (Hommage à Picasso)

Arman

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

A Proposed Fountain of Trickling Water with Ultra-Violet Underlighting, in Memory of Pablo Picasso from Homage to Picasso (Hommage à Picasso)

Dan Flavin

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Larry Rivers

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Louise Nevelson

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Blinky Palermo

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art