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Artworks

0 records · Linoleum cut
Untitled
Untitled
Jasper Johns
Linoleum cut on leather paper · 2017
Museum of Modern Art
Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Julian Opie
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Ashtray from Alan Cristea Gallery Twentieth Anniversary Portfolio
Ashtray from Alan Cristea Gallery Twentieth Anniversary Portfolio
Michael Craig-Martin
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Print for Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Print for Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Mimmo Paladino
Aquatint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
once more, with feeling from Alan Cristea Gallery Twentieth Anniversary Portfolio
once more, with feeling from Alan Cristea Gallery Twentieth Anniversary Portfolio
Edmund de Waal
Etching with embossing from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Walker Evans: Laura Minnie Lee Tengle from Alan Cristea Gallery Twentieth Anniversary Portfolio
Walker Evans: Laura Minnie Lee Tengle from Alan Cristea Gallery Twentieth Anniversary Portfolio
Lisa Ruyter
Etching with chine collé from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Alan smoking at Syndey Close in the 90's from Alan Cristea Gallery Twentieth Anniversary Portfolio
Alan smoking at Syndey Close in the 90's from Alan Cristea Gallery Twentieth Anniversary Portfolio
Jim Dine
Etching from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Decommissioned: dance studio from Alan Cristea Gallery Twentieth Anniversary Portfolio
Decommissioned: dance studio from Alan Cristea Gallery Twentieth Anniversary Portfolio
Catherine Yass
Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Untitled (for Alan C.) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Untitled (for Alan C.) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Jan Dibbets
Chromogenic print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one Chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
For Alan, Venezia from Alan Cristea Gallery Twentieth Anniversary Portfolio
For Alan, Venezia from Alan Cristea Gallery Twentieth Anniversary Portfolio
Joe Tilson
Aquatint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Strand from Alan Cristea Gallery Twentieth Anniversary Portfolio
Strand from Alan Cristea Gallery Twentieth Anniversary Portfolio
Christiane Baumgartner
Woodcut from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Black on Grey Anniversary Print from Alan Cristea Gallery Twentieth Anniversary Portfolio
Black on Grey Anniversary Print from Alan Cristea Gallery Twentieth Anniversary Portfolio
Ian Davenport
Etching with chine collé from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Untitled (GCHQ) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Untitled (GCHQ) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Langlands & Bell
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
The Rider from Alan Cristea Gallery Twentieth Anniversary Portfolio
The Rider from Alan Cristea Gallery Twentieth Anniversary Portfolio
Gordon Cheung
Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Herb Garden from Alan Cristea Gallery Twentieth Anniversary Portfolio
Herb Garden from Alan Cristea Gallery Twentieth Anniversary Portfolio
Howard Hodgkin
Carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio
Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio
Ben Johnson
Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Telephone from Alan Cristea Gallery Twentieth Anniversary Portfolio
Telephone from Alan Cristea Gallery Twentieth Anniversary Portfolio
Marie Harnett
Linoleum cut from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
For Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
For Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Gillian Ayres
Aquatint and carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Blue Note from Alan Cristea Gallery Twentieth Anniversary Portfolio
Blue Note from Alan Cristea Gallery Twentieth Anniversary Portfolio
Allen Jones
Lithograph from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
For my Dad from Alan Cristea Gallery Twentieth Anniversary Portfolio
For my Dad from Alan Cristea Gallery Twentieth Anniversary Portfolio
Richard Woods
Woodcut with cut-outs from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
Alan Cristea Gallery Twentieth Anniversary Portfolio
Alan Cristea Gallery Twentieth Anniversary Portfolio
Gillian Ayres
Portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art
I
In My Beginning
Chuck Webster
Linoleum cut, woodcut, pochoir and screenprint · 2013
The Metropolitan Museum of Art
Take a Kodak Home for Christmas
Take a Kodak Home for Christmas
Wilhelm Sasnal
Linoleum cut · 2012
Museum of Modern Art
Take a Kodak with You
Take a Kodak with You
Wilhelm Sasnal
Linoleum cut · 2012
Museum of Modern Art