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Artworks
Madame Charles Gounod
Jean-Auguste-Dominique Ingres
Graphite on ivory wove paper (discolored to cream) · 1859
Art Institute of Chicago
Mademoiselle Mary de Borderieux(?)
Jean-Auguste-Dominique Ingres
Graphite and watercolor with white highlights · 1857
National Gallery of Art
Henri Labrouste
Jean-Auguste-Dominique Ingres
graphite on wove paper · 1852
National Gallery of Art
Madame Moitessier
Jean-Auguste-Dominique Ingres
oil on canvas · 1851
National Gallery of Art
Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult
Jean-Auguste-Dominique Ingres
Graphite, heightened with white opaque watercolor, with touches of yellow watercolor, on off-white wove paper, lined to secondary wove paper · 1849
Art Institute of Chicago
Joan of Arc Standing at the Altar at Reims Cathedral
Jean-Auguste-Dominique Ingres
pen and brown ink and graphite on tracing paper laid down on blue paper · 1844
National Gallery of Art
Study of Hands
Jean-Auguste-Dominique Ingres
graphite with traces of white heightening on ivory laid paper · 1842
Cleveland Museum of Art
Charles Gounod
Jean-Auguste-Dominique Ingres
Graphite on ivory wove paper, discolored to cream · 1841
Art Institute of Chicago
Study for Joan of Arc, and Sketches of Hands
Jean-Auguste-Dominique Ingres
Graphite on tan wove tracing paper, laid down on off-white wove paper, laid down on cream board · 1841
Art Institute of Chicago
Study
Jean-Auguste-Dominique Ingres
Graphite on cream wove paper, laid down on white wove paper, hinged on gray laid paper with blue fibers · 1837
Art Institute of Chicago
Antiochus and Stratonice
Jean-Auguste-Dominique Ingres
oil on linen · 1833
Cleveland Museum of Art
Madame Désiré Raoul-Rochette
Jean-Auguste-Dominique Ingres
graphite on cream wove paper · 1830
Cleveland Museum of Art
Charles X in his Coronation Robes
Jean-Auguste-Dominique Ingres
Watercolor, over graphite, on ivory laid paper, squared in red chalk and graphite, perimeter mounted on cream wove paper and wrapped on board · 1828
Art Institute of Chicago
Ulysses
Jean-Auguste-Dominique Ingres
oil on canvas on wood · 1827
National Gallery of Art
Dr. Louis Martinet
Jean-Auguste-Dominique Ingres
graphite on wove paper · 1826
National Gallery of Art
Four Magistrates of Besançon (Quatre magistrats de Besançon)
Jean-Auguste-Dominique Ingres
lithograph on wove paper · 1825
National Gallery of Art
Odalisque
Jean-Auguste-Dominique Ingres
lithograph on wove paper · 1825
National Gallery of Art
Four Magistrates of Besançon (Quatre magistrats de Besançon)
Jean-Auguste-Dominique Ingres
lithograph on wove paper · 1825
National Gallery of Art
The Four Magistrates of Besançon
Jean-Auguste-Dominique Ingres
Lithograph in black on ivory wove paper · 1825
Art Institute of Chicago
Odalisque
Jean-Auguste-Dominique Ingres
lithograph · 1825
Cleveland Museum of Art
The Borghese Chapel in Santa Maria Maggiore, Rome
Jean-Auguste-Dominique Ingres
Pen and brown ink and graphite and brush and gray and brown wash, with touches of red and ocher gouache, heightened with white gouache, on cream laid paper, laid down on cream laid card, laid down on blue matboard · 1824
Art Institute of Chicago
Amédée-David, the Comte de Pastoret
Jean-Auguste-Dominique Ingres
Oil on canvas · 1823
Art Institute of Chicago
Self-Portrait
Jean-Auguste-Dominique Ingres
graphite on wove paper · 1822
National Gallery of Art
Charles Thévenin, after Ingres
Jean-Auguste-Dominique Ingres
graphite · 1817
Cleveland Museum of Art