Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult

Comtesse Charles d’Agoult (born Marie de Flavigny) and Her Daughter Claire d’Agoult

1849·Graphite, heightened with white opaque watercolor, with touches of yellow watercolor, on off-white wove paper, lined to secondary wove paper·Primary support: 48.5 × 39.9 cm (19 1/8 × 15 3/4 in.); Secondary support: 49.9 × 41.5 cm (19 11/16 × 16 3/8 in.)

<p>One of Jean-Auguste-Dominique Ingres’s largest and most ambitious portrait drawings, this work depicts the important Parisian society hostess, writer, and critic the Comtesse Marie d’Agoult and her daughter Claire.</p> <p>Ingres typically produced his portrait drawings without preparation and in a single sitting. This work, in contrast, required at least two sittings and three preparatory studies. The drawing is notable for its evocation of the richly furnished interior of d’Agoult’s home. The artist selectively applied yellow watercolor to enhance objects and added white heightening to the sitters’ dresses to suggest the sheen of silk.</p>

Catalogue

Year
1849
Dimensions
Primary support: 48.5 × 39.9 cm (19 1/8 × 15 3/4 in.); Secondary support: 49.9 × 41.5 cm (19 11/16 × 16 3/8 in.)

Artist

Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres

Painting

Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.

Montauban, France

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