Database / Artworks
Artworks
Movement No 23–The Sea and Pertaining Thereto
John Marin
Watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame · 1927
Art Institute of Chicago
The Pine Tree, Small Point, Maine
John Marin
Watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame · 1926
Art Institute of Chicago
Downtown New York, Three Movements
John Marin
Etching with retroussage, selectively wiped, on white wove paper · 1925
Art Institute of Chicago
River Movement
John Marin
Etching · 1925
Museum of Modern Art
Nassau Street, Looking South
John Marin
Etching · 1924
Museum of Modern Art
From Bold Island, Maine
John Marin
Watercolor with blotting, fabricated charcoal, and charcoal wash, on moderately thick, moderately textured, ivory wove paper · 1923
Art Institute of Chicago
Blue Sea (recto); Sheet of Sketches (verso)
John Marin
Watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed) · 1923
Art Institute of Chicago
Headed for Boston
John Marin
Watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame · 1923
Art Institute of Chicago
Sea Movement–Green and Blue
John Marin
Watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame · 1923
Art Institute of Chicago
The Red Sun, Brooklyn Bridge
John Marin
Watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed) · 1922
Art Institute of Chicago
Study for the Red Sun, Brooklyn Bridge
John Marin
Graphite with erasing on ivory wove paper · 1922
Art Institute of Chicago
The Tree, Bare Island, Maine
John Marin
Watercolor with blotting, wiping, and touches of scraping, and charcoal, on moderately thick, moderately textured, off white wove paper (right and lower edges trimmed) · 1922
Art Institute of Chicago
Lower Manhattan (Composing Derived from Top of Woolworth)
John Marin
Gouache and charcoal with paper cut-out attached with thread on paper · 1922
Museum of Modern Art
Camden Mountain across the Bay
John Marin
Watercolor on paper · 1922
Museum of Modern Art
The Green Sea – Movement – Stonington, Maine
John Marin
Watercolor with wiping and charcoal on thick (estimated), slightly textured, ivory wove paper, hinged to paperboard, faced with ivory wove (estimated) paper, gilt with gold leaf (top and right edges trimmed), in original frame · 1921
Art Institute of Chicago
Downtown, The El
John Marin
Etching · 1921
Museum of Modern Art
Pedestrians on Brooklyn Bridge
John Marin
Graphite on lightweight, smooth, tan wove paper, laid down on ivory wove card (all edges trimmed) · 1920
Art Institute of Chicago
Untitled (Evergreen Tree, Maine)
John Marin
Charcoal on cream laid paper · 1920
Art Institute of Chicago
Lower Manhattan
John Marin
Watercolor and charcoal on paper · 1920
Museum of Modern Art
Downtown, New York City (with color notes)
John Marin
Graphite, with smudging and erasing, on cream wove paper · 1919
Art Institute of Chicago
Tree and Sea, Maine
John Marin
Watercolor with charcoal and charcoal wash, on moderately thick, moderately textured, off-white wove paper (lower and right edges trimmed), in original frame · 1919
Art Institute of Chicago
Spring Rains
John Marin
Watercolor with blotting and wiping, and with charcoal, on thick, moderately textured, ivory wove paper (lower and left edges trimmed), in original frame · 1918
Art Institute of Chicago
Buildings
John Marin
Graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed) · 1917
Art Institute of Chicago
Ocean and Rocks
John Marin
Watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame · 1917
Art Institute of Chicago