From Bold Island, Maine

<p>This is a view from an island on the western side of Jerico Bay, which served as a reference point for sailors headed west into Stonington, Maine. Strong triangles formed by two pine trees are echoed by the white sail of a fishing vessel. From the pooling of his washes, it seems Marin worked upright. Playing with his paint, he let the urge to manipulate it drive the marks he made. He reinforced his watercolor lines with fabricated chalk, establishing them as symbols of the forces that connect the big elements of nature. He contrasted the deep black charcoal lines with broad, pale, transparent watercolor brushstrokes, creating a sense of energy. The painted internal frame keeps warring elements in check and signals the artist’s filtering of objective reality through his own experience.</p>

Catalogue

Year
1923
Dimensions
43.2 × 51.5 cm (17 1/16 × 20 5/16 in.)

Artist

John Marin
John Marin

Painting

John Marin was an American modernist painter and printmaker known for his dynamic watercolors and etchings of coastal landscapes, particularly Maine. Working primarily in watercolor from the 1910s onward, he developed a fractured, energetic visual language that synthesized Cubist fragmentation with direct observation of nature. His gestural brushwork and bold use of paper's white ground anticipated Abstract Expressionism while maintaining a strong sense of place and atmospheric condition. Marin spent decades based in Maine, where the rocky coastlines and maritime environment became the primary subject of his mature work.

New York City

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Approaching Fog

Approaching Fog

1952 · Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed)

WW-1952-135608
Movement: Boats and Objects, Blue Gray Sea

Movement: Boats and Objects, Blue Gray Sea

1947 · Oil on canvas

WW-1947-049935
Brooklyn Bridge - on the Bridge, No. 2

Brooklyn Bridge - on the Bridge, No. 2

1944 · Etching

WW-1944-M058361
Cape Split, Maine

Cape Split, Maine

1941 · Watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame

WW-1941-131259
Circus Elephants

Circus Elephants

1941 · Watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper

WW-1941-070077
Movement: Sky and Grey Sea

Movement: Sky and Grey Sea

1941 · Watercolor, charcoal, and pencil on paper

WW-1941-M031758