Database / Artworks
Artworks
Time Thickened in His Veins, plate thirteen from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
The Instrument was Explained in Detail, plate fifteen from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
He Recoiled Unmarked, plate ten from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
The Coffee was Cold, plate four from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching on cream wove paper, laid down on ivory wove paper (chine collé) · 1983
Art Institute of Chicago
The Weight Drove His Pulse into the Wall, plate six from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
Peeking Became His Craft for Rendering Place, plate nine from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
His Knee had Recorded Each Step, plate seven from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
Her Fragrance Lingered On, plate eight from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
He Practiced Everyday, plate two from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
Memory Spurted Against His Silence, plate five from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching on cream wove paper, laid down on ivory wove paper (chine collé) · 1983
Art Institute of Chicago
Plate Three from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from four plates on ivory wove paper · 1983
Art Institute of Chicago
Gradually the Time Became a Razor, plate seventeen from Uruguayan Torture Series
Luis Camnitzer
Color photo-etching from five plates on ivory wove paper · 1983
Art Institute of Chicago
U
Untitled from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The coffee was cold from Uruguayan Torture Series
Luis Camnitzer
Photoetching with chine collé from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
U
Untitled from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
H
He couldn’t feel what he saw, nor could he see what he felt from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The touch reclaimed spent tenderness from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The brand perforated his sleep from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
H
He recoiled, unmarked from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The vacancy was effectively concealed from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The instrument was explained in detail from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The straddling echoed in his dream from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
A
After the shadow passed, he would feed them from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art
T
The damage appeased him from Uruguayan Torture Series
Luis Camnitzer
Photoetching from a series of thirty-five photoetchings, three with chine collé · 1983
Museum of Modern Art