He couldn’t feel what he saw, nor could he see what he felt from Uruguayan Torture Series
Catalogue
- Year
- 1983
- Dimensions
- composition (irreg.): 12 9/16 × 11 1/4" (31.9 × 28.5 cm); sheet: 29 9/16 × 21 11/16" (75.1 × 55.1 cm)
- Collection
- Museum of Modern Art
- Artist
- Luis Camnitzer
Artist
Printmaking
Luis Camnitzer is a Uruguayan artist and theorist working across conceptual art, printmaking, and installation since the 1960s. His practice interrogates language, memory, and political representation through text-based works, etchings, and site-specific interventions that often engage questions of exile, colonialism, and historical erasure. Operating between the Americas and Europe, Camnitzer has been central to expanding conceptual art beyond its North Atlantic origins, treating art as a tool for critical pedagogy rather than object production.
Full artist profile →More
More by Luis Camnitzer
Memorial
2009 · Portfolio of 195 digital prints
The Instrument was Explained in Detail, plate fifteen from Uruguayan Torture Series
1983 · Color photo-etching from five plates on ivory wove paper
He Feared Thirst, plate eighteen from Uruguayan Torture Series
1983 · Color photo-etching from five plates on ivory wove paper
Plate 33 from Uruguayan Torture Series
1983 · Photo-etching in black on ivory wove paper
His Knee had Recorded Each Step, plate seven from Uruguayan Torture Series
1983 · Color photo-etching from five plates on ivory wove paper
The Vacancy was Effectively Concealed, plate fourteen from Uruguayan Torture Series
1983 · Color photo-etching from five plates on ivory wove paper
Record
Verified by WattsOS- Artist
- Luis Camnitzer
- Year
- 1983
- Dimensions
- composition (irreg.): 12 9/16 × 11 1/4" (31.9 × 28.5 cm); sheet: 29 9/16 × 21 11/16" (75.1 × 55.1 cm)
- Watts ID
- WW-1983-M122557
Source
- Collection
- Museum of Modern Art
- Source
- moma
- Status
- verified