Mother Goose Goes Hollywood, plate 34 from Bunk!
Catalogue
- Year
- 1972
- Dimensions
- 42.4 × 29.2 cm (16 3/4 × 11 1/2 in.)
- Collection
- Art Institute of Chicago
- Artist
- Eduardo Paolozzi
Artist
Sculpture
Eduardo Paolozzi created sculptures, collages, mosaics, and films that synthesized machine impressions, found objects, and prefabricated industrial castings into geometric human forms. Working from Leith, he embraced technology as a source of formal and conceptual renewal rather than alienation, positioning popular culture and engineering as legitimate subjects for sculpture. A key figure in British Surrealism and an influential precursor to Pop Art.
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More by Eduardo Paolozzi
Homage to Picasso from Homage to Picasso (Hommage à Picasso)
1973 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Will Alien Powers Invade the Earth, plate 21b from Bunk!
1972 · Screenprint on paper
Fun Helped them Fight, plate three from Bunk!
1972 · Color lithograph on paper
You'll Soon be Congratulating Yourself, plate thirteen from Bunk!
1972 · Color lithograph on paper
What a Treat for a Nickel!, plate 42 from Bunk!
1972 · Color screenprint on paper
Has Jazz a Future, plate seventeen from Bunk!
1972 · Screenprint and lithography on paper
Record
Verified by WattsOS- Artist
- Eduardo Paolozzi
- Year
- 1972
- Dimensions
- 42.4 × 29.2 cm (16 3/4 × 11 1/2 in.)
- Watts ID
- WW-1972-086049
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified