Homage to Picasso from Homage to Picasso (Hommage à Picasso)

Eduardo PaolozziWW-1973-M052375

1973·Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts·composition (irreg.): 27 1/16 x 18 9/16" (68.8 x 47.2cm); sheet: 30 5/16 x 22 3/16" (77 x 56.4cm)

Catalogue

Year: 1973
Medium: Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts
Dimensions: composition (irreg.): 27 1/16 x 18 9/16" (68.8 x 47.2cm); sheet: 30 5/16 x 22 3/16" (77 x 56.4cm)
Collection: Museum of Modern Art
Artist: Eduardo Paolozzi

Artist

Eduardo Paolozzi

Sculpture

Eduardo Paolozzi created sculptures, collages, mosaics, and films that synthesized machine impressions, found objects, and prefabricated industrial castings into geometric human forms. Working from Leith, he embraced technology as a source of formal and conceptual renewal rather than alienation, positioning popular culture and engineering as legitimate subjects for sculpture. A key figure in British Surrealism and an influential precursor to Pop Art.

Leith, UK

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