
Portrait of Titian
<p>Although an optical illusion makes Titian’s bust portrait seem to change size, the two impressions of Agostino Carracci’s <em>Portrait of Titian</em> (1938.1432 and 1919.2562) represent two subsequent states printed from the same reworked copper plate. The background lines at the top of the plate were burnished down to accommodate additional text celebrating Titian’s fame. This sheet has also been repaired in several places, with some of the details and lettering redrawn by hand, making the two prints seem oddly dissimilar on first glance, although Titian’s silhouette has in fact never changed.</p>
Catalogue
- Year
- 1587
- Dimensions
- Image/sheet, cut within platemark: 32.3 × 23.4 cm (12 3/4 × 9 1/4 in.)
- Collection
- Art Institute of Chicago
- Artist
- Agostino Carracci
Artist
More
More by Agostino Carracci
Seated Male Nude [recto]
1600 · pen and brown ink on laid paper
Omnia Vincit Amor
1599 · Engraving
Giovanni Gabrielli, called il Sivello
1599 · Engraving on ivory laid paper
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
1599 · Engraving
Love Conquers All
1599 · Etching on ivory laid paper
Pan Taming Eros
1599 · engraving
Record
Verified by WattsOS- Artist
- Agostino Carracci
- Year
- 1587
- Dimensions
- Image/sheet, cut within platemark: 32.3 × 23.4 cm (12 3/4 × 9 1/4 in.)
- Watts ID
- WW-1587-110634
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified

![Seated Male Nude [recto]](https://api.nga.gov/iiif/9b90d0d1-a2a1-4952-b907-8de83ae9b890/full/!800,800/0/default.jpg)




