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Artworks

58 records by Agostino Carracci
Seated Male Nude [recto]
Seated Male Nude [recto]
Agostino Carracci
pen and brown ink on laid paper · 1600
National Gallery of Art
Giovanni Gabrielli
Giovanni Gabrielli
Agostino Carracci
engraving on laid paper · 1599
National Gallery of Art
Pan Taming Eros
Pan Taming Eros
Agostino Carracci
engraving · 1599
National Gallery of Art
Giovanni Gabrielli, called il Sivello
Giovanni Gabrielli, called il Sivello
Agostino Carracci
Engraving on ivory laid paper · 1599
Art Institute of Chicago
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All
Love Conquers All
Agostino Carracci
Etching on ivory laid paper · 1599
Art Institute of Chicago
The Holy Family
The Holy Family
Agostino Carracci
engraving on laid paper · 1597
National Gallery of Art
Head of a Faun in a Concave Roundel
Head of a Faun in a Concave Roundel
Agostino Carracci
pen and brown ink on laid paper · 1595
National Gallery of Art
Aeneas and His Family Fleeing Troy
Aeneas and His Family Fleeing Troy
Agostino Carracci
engraving · 1595
Cleveland Museum of Art
The Fan (L'Eventail)
The Fan (L'Eventail)
Agostino Carracci
etching · 1594
Cleveland Museum of Art
Portrait of the Artist's Son, Antonio Carracci
Portrait of the Artist's Son, Antonio Carracci
Agostino Carracci
Red chalk on cream laid paper, laid down on cream wove paper · 1592
Art Institute of Chicago
Woodland River with a Boat
Woodland River with a Boat
Agostino Carracci
pen and brown ink on laid paper · 1590
National Gallery of Art
Venus or Galatea Supported by Dolphins
Venus or Galatea Supported by Dolphins
Agostino Carracci
engraving · 1590
National Gallery of Art
Saint Jerome
Saint Jerome
Agostino Carracci
Red chalk on ivory laid paper, laid down on ivory wove paper · 1590
Art Institute of Chicago
Saint Jerome
Saint Jerome
Agostino Carracci
Red chalk, with stumping and pen and brown ink, on tan laid paper, laid down on ivory laid paper · 1590
Art Institute of Chicago
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg
Four Sketches: Griffin, Grotesque Head, Head of Satyr, Bent Leg
Agostino Carracci
Pen and brown ink, with traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1590
Art Institute of Chicago
Torquato Tasso, La Gerusalemme liberata
Torquato Tasso, La Gerusalemme liberata
Agostino Carracci
Bound volume with engravings and letterpress on ivory laid paper · 1590
Art Institute of Chicago
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
Engraving · 1590
The Metropolitan Museum of Art
A Headpiece in the Form of a Fan
A Headpiece in the Form of a Fan
Agostino Carracci
engraving · 1589
National Gallery of Art
Mercury and the Graces
Mercury and the Graces
Agostino Carracci
Engraving with etching in black ink on ivory laid paper · 1589
Art Institute of Chicago
Mars Driven Away from Peace and Abundance by Minerva
Mars Driven Away from Peace and Abundance by Minerva
Agostino Carracci
Engraving in black on ivory laid paper · 1589
Art Institute of Chicago
Titian
Titian
Agostino Carracci
engraving · 1587
National Gallery of Art
Titian
Titian
Agostino Carracci
engraving · 1587
National Gallery of Art
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