Artworks · Salvador Dalí

Study for "Vogue" cover

1944 · Cut and pasted papers and black ink, watercolor, opaque watercolor and graphite on board

16 in. × 10 13/16 in. (40.6 × 27.5 cm)

The Metropolitan Museum of Art

Three Nudes

1944 · Brush and black ink on pink paper

20 1/4 × 25 3/4 in. (51.4 × 65.4 cm)

The Metropolitan Museum of Art

Hidden Faces

1940 · Watercolor and brush and black ink on off-white wove paper, laid down on off-white wove paper

58.7 × 73.8 cm (23 1/8 × 29 1/16 in.)

Art Institute of Chicago

Marsupial Figure

1940 · pen and ink and wash in sepia and black

Cleveland Museum of Art

Untitled (Dream of Venus) formerly Visions of Eternity

1939 · Oil on canvas

207 × 117.5 cm (81 1/2 × 46 1/4 in.)

Art Institute of Chicago

Declaration of the independence of the imagination and the rights of man to his own madness

1939 · Printed broadside

Art Institute of Chicago

Bathers at the Beach

1939 · Brush and black ink and opaque watercolor on illustration board

13 1/8 × 20 1/8 in. (33.3 × 51.1 cm)

The Metropolitan Museum of Art

Mountain Lake

1938 · Oil paint on canvas

support: 730 x 921 mm frame: 1018 x 1205 x 84 mm

Tate

The Image Disappears

1938 · Pen and black ink on ivory wove paper

64.7 × 50.8 cm (25 1/2 × 20 in.)

Art Institute of Chicago

Standing Woman Holding Child By the Hand

1938 · Pen and gray ink, over graphite, on ivory wove card

57.3 × 43.8 cm (22 9/16 × 17 1/4 in.)

Art Institute of Chicago

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone

1938 · Oil on canvas

21 1/2 x 25 5/8" (54.5 x 65.1 cm)

Museum of Modern Art

Metamorphosis of Narcissus

1937 · Oil paint on canvas

support: 511 x 781 mm frame: 820 x 1092 x 85 mm

Tate

Formation of the Monsters

1937 · Pen and black ink on pink laid paper

25.6 × 16.7 cm (10 1/8 × 6 5/8 in.)

Art Institute of Chicago

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method

1937 · Graphite on ivory wood-pulp laminate board

53.5 × 36.2 cm (21 1/8 × 14 5/16 in.)

Art Institute of Chicago

Inventions of the Monsters

1937 · Oil on canvas

51.4 × 78.4 cm (20 1/4 × 30 7/8 in.)

Art Institute of Chicago

Lobster Telephone

1936 · Steel, plaster, rubber, resin and paper

object: 178 x 330 x 178 mm

Tate

Autumnal Cannibalism

1936 · Oil paint on canvas

support: 651 x 651 mm frame: 898 x 899 x 85 mm

Tate

Forgotten Horizon

1936 · Oil paint on mahogany

support: 222 x 267 mm frame: 344 x 389 x 60 mm

Tate

Untitled (Self-Portrait Hidden in a Landscape)

1936 · Pen and brush and black ink on cream wove paper

54.5 × 44 cm (21 1/2 × 17 3/8 in.)

Art Institute of Chicago

City of Drawers

1936 · Graphite on buff wove paper

35.2 × 52.2 cm (13 7/8 × 20 9/16 in.)

Art Institute of Chicago

Venus de Milo with Drawers

1936 · Painted plaster with metal pulls and mink pom-poms

98 × 32.5 × 34 cm (38 5/8 × 12 3/4 × 13 3/8 in.)

Art Institute of Chicago

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano

1936 · Oil on canvas

48.3 × 64.1 cm (19 × 25 1/4 in.)

Art Institute of Chicago

Studies of Horsemen

1936 · Ink on paper

17 1/4 x 21 1/2" (43.8 x 54.6 cm)

Museum of Modern Art

Return of Ulysses

1936 · Black ink on paper

9 5/16 × 14 5/8 in. (23.7 × 37.1 cm)

The Metropolitan Museum of Art

Untitled

1936 · pen and ink

Sheet: 55 x 44.4 cm (21 5/8 x 17 1/2 in.); Framed: 61 x 76.2 cm (24 x 30 in.); Matted: 55.9 x 71.1 cm (22 x 28 in.)

Cleveland Museum of Art

Portrait of Gala

1935 · Oil on wood

12 3/4 x 10 1/2" (32.4 x 26.7 cm)

Museum of Modern Art

Limp Cranes and "Cranian" Harp

1935 · Etching

plate: 14 1/2 x 11 13/16" (36.9 x 30 cm); sheet 18 15/16 x 14 3/4" (48 x 37.4 cm)

Museum of Modern Art

Grain and Chaff (Grains et issues) from Grains et issues

1935 · Etching

composition: 7 5/8 x 5 1/2" (19.3 x 14 cm); sheet: 7 1/2 x 5 3/4" (19 x 14.6 cm)

Museum of Modern Art

Studies of a Nude

1935 · Pencil on paper

6 7/8 x 5 1/2" (17.5 x 14 cm)

Museum of Modern Art

Mae West's Face which May be Used as a Surrealist Apartment

1934 · Gouache with graphite, on commercially printed magazine page

28.3 × 17.8 cm (11 3/16 × 7 1/16 in.)

Art Institute of Chicago

Plate Nineteen, from Les Chants de Maldoror

1934 · Etching on white wove paper

Plate: 22.4 × 17.1 cm (8 7/8 × 6 3/4 in.); Sheet: 33 × 25.2 cm (13 × 9 15/16 in.)

Art Institute of Chicago

The Grasshopper

1934 · Engraving on white wove paper

Plate: 36.7 × 30 cm (14 1/2 × 11 13/16 in.); Sheet: 58.3 × 47.1 cm (23 × 18 9/16 in.)

Art Institute of Chicago

Plate 24, from Les chants de maldoror

1934 · Etching on white wove paper

Plate: 22.5 × 17.3 cm (8 7/8 × 6 13/16 in.); Sheet: 33 × 25 cm (13 × 9 7/8 in.)

Art Institute of Chicago

Portrait of Gala with Two Lamb Chops in Equilibrium upon Her Shoulder

1934 · India ink on painted olive-wood block

6.8 × 8.7 × 1.9 cm (2 11/16 × 3 7/16 × 3/4 in.)

Art Institute of Chicago

Untitled (Desert Landscape)

1934 · Oil on panel

18.1 × 14.1 cm (7 1/8 × 5 7/16 in.)

Art Institute of Chicago

Plate (facing page 190) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 13/16 × 6 3/4" (22.4 × 17.1 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Plate (facing page 184) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 13/16 × 6 3/4" (22.4 × 17.1 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Plate (facing page 10) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 7/8 x 6 13/16" (22.5 x 17.3cm); page: 13 1/16 x 9 15/16" (33.2 x 25.2 cm)

Museum of Modern Art

Plate (facing page 178) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 13/16 × 6 3/4" (22.4 × 17.2 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Headpiece (page 175) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

composition (irreg.): 4 1/2 × 6 9/16" (11.4 × 16.7 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Headpiece (page 5) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

composition (irreg.): 4 13/16 x 7 13/16" (12.3 x 19.9cm); page: 13 1/16 x 9 15/16" (33.2 x 25.2 cm)

Museum of Modern Art

Tailpiece (page 173) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

composition (irreg.): 4 3/8 × 3 3/16" (11.1 × 8.1 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Plate (facing page 164) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 13/16 × 6 3/4" (22.4 × 17.2 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Frontispiece from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 7/8 x 6 3/4" (22.5 x 17.1cm); page: 13 1/16 x 9 13/16" (33.2 x 25 cm)

Museum of Modern Art

Plate (facing page 158) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

plate: 8 13/16 × 6 3/4" (22.4 × 17.2 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Headpiece (page 143) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

composition (irreg.): 2 3/4 × 4" (7 × 10.2 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art

Plate from the supplementary suite of Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from the supplementary suite of forty-four etchings, some with drypoint

page: 13 1/16 x 9 13/16" (33.2 x 25 cm)

Museum of Modern Art

Tailpiece (page 142) from Les Chants de Maldoror (The Songs of Maldoror)

1934 · One from an illustrated book with forty-two etchings, some with drypoint; letterpress text

composition (irreg.): 3 11/16 × 3 15/16" (9.3 × 10 cm); page: 13 1/16 × 9 15/16" (33.2 × 25.2 cm)

Museum of Modern Art