Artworks · Salvador Dalí

King of Aragon

1973 · Etching and mezzotint on paper

image: 483 x 356 mm

Tate

Duel in the sun

1973 · Drypoint and etching with stencil on white wove paper

Plate: 40 × 59.2 cm (15 3/4 × 23 5/16 in.); Sheet: 56.5 × 75.5 cm (22 1/4 × 29 3/4 in.)

Art Institute of Chicago

The Water Tower

1971 · Etching with color pochoir additions on white wove paper

Plate: 31.8 × 49 cm (12 9/16 × 19 5/16 in.); Sheet: 49.4 × 65 cm (19 1/2 × 25 5/8 in.)

Art Institute of Chicago

The Buckingham Fountain

1971 · Etching with color pochoir additions on white wove paper

Plate: 48.5 × 31.7 cm (19 1/8 × 12 1/2 in.); Sheet: 64.3 × 49.4 cm (25 3/8 × 19 1/2 in.)

Art Institute of Chicago

The Art Institute

1971 · Etching with color pochoir additions on white wove paper

Plate: 48.5 × 31.7 cm (19 1/8 × 12 1/2 in.); Sheet: 64.6 × 49.6 cm (25 7/16 × 19 9/16 in.)

Art Institute of Chicago

The Museum of Science and Industry

1971 · Etching with color pochoir additions on white wove paper

Plate: 31.9 × 49 cm (12 9/16 × 19 5/16 in.); Sheet: 49.8 × 64.8 cm (19 5/8 × 25 9/16 in.)

Art Institute of Chicago

The Drawers

1967 · Etching and engraving, with watercolor, on ivory Japanese paper

Plate: 31.8 × 24 cm (12 9/16 × 9 1/2 in.); Sheet: 36 × 25.5 cm (14 3/16 × 10 1/16 in.)

Art Institute of Chicago

Flower ballet

1960 · Rayon, warp-faced plain weave with creped wefts; screen printed

224 × 107 cm (88 1/4 × 42 1/8 in.)

Art Institute of Chicago

In-text plate (page 27) from Manifeste Mystique (Mystic Manifesto)

1951 · One from an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

composition (irreg.): 5 1/2 × 4 3/16" (14 × 10.7 cm); page (each): 14 15/16 × 11 1/8" (38 × 28.2 cm)

Museum of Modern Art

Plate (page 26) from Manifeste Mystique (Mystic Manifesto)

1951 · One from an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

composition (irreg.): 11 3/16 × 7 11/16" (28.4 × 19.5 cm); page (each): 14 15/16 × 11 1/8" (38 × 28.2 cm)

Museum of Modern Art

Manifeste Mystique (Mystic Manifesto)

1951 · Illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

page (each): 14 15/16 × 11 1/8" (38 × 28.2 cm); overall (closed): 15 3/16 × 11 1/8 × 13/16" (38.5 × 28.3 × 2 cm)

Museum of Modern Art

Mystic Manifesto (Manifeste mystique)

1951 · Etching

composition: 5 13/16 x 8 1/16" (14.7 x 20.4 cm); sheet: 14 15/16 x 11" (38 x 28 cm)

Museum of Modern Art

Mystic Manifesto (Manifeste mystique)

1951 · Etching

composition: 14 x 9 15/16" (35.5 x 25.2 cm); sheet: 14 15/16 x 11" (38 x 28 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 5 13/16 × 8 1/16" (14.8 × 20.5 cm); sheet: 15 × 10 15/16" (38.1 × 27.8 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 13 13/16 × 10 3/16" (35.1 × 25.8 cm); sheet: 14 15/16 × 11 3/16" (37.9 × 28.4 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 14 × 10 1/16" (35.6 × 25.5 cm); sheet: 15 3/8 × 10 15/16" (39 × 27.8 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 14 1/16 × 9 15/16" (35.7 × 25.3 cm); sheet: 15 3/16 × 11 1/8" (38.5 × 28.2 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 5 7/8 × 8 1/8" (14.9 × 20.6 cm); sheet: 14 15/16 × 11 3/16" (38 × 28.4 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 5 3/4 × 8 1/8" (14.6 × 20.6 cm); sheet: 15 1/16 × 11" (38.2 × 28 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 5 13/16 × 8 1/16" (14.8 × 20.5 cm); sheet: 15 1/16 × 11" (38.2 × 27.9 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 14 1/16 × 9 15/16" (35.7 × 25.3 cm); sheet: 15 1/16 × 11" (38.2 × 28 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 5 13/16 × 8 1/16" (14.8 × 20.5 cm); sheet: 14 15/16 × 11" (38 × 27.9 cm)

Museum of Modern Art

Plate (supplementary suite) from Manifeste Mystique (Mystic Manifesto)

1951 · Etching from the supplementary suite of an illustrated book with twenty letterpress plates and a supplementary suite of ten etchings

plate: 14 1/16 × 9 15/16" (35.7 × 25.2 cm); sheet: 14 15/16 × 11" (38 × 28 cm)

Museum of Modern Art

Leaf Hands

1949 · Cotton and rayon, plain weave; screen printed with vat-dyes

195.8 × 123.4 cm (77 1/8 × 48 1/2 in.)

Art Institute of Chicago

St. George and the Dragon

1947 · Etching

plate: 17 5/8 x 11 1/4" (44.8 x 28.6 cm); sheet: 22 7/16 x 15 3/16" (57 x 38.6 cm)

Museum of Modern Art

Hidden Faces

1940 · Watercolor and brush and black ink on off-white wove paper, laid down on off-white wove paper

58.7 × 73.8 cm (23 1/8 × 29 1/16 in.)

Art Institute of Chicago

Untitled (Dream of Venus) formerly Visions of Eternity

1939 · Oil on canvas

207 × 117.5 cm (81 1/2 × 46 1/4 in.)

Art Institute of Chicago

Declaration of the independence of the imagination and the rights of man to his own madness

1939 · Printed broadside

Art Institute of Chicago

Mountain Lake

1938 · Oil paint on canvas

support: 730 x 921 mm frame: 1018 x 1205 x 84 mm

Tate

The Image Disappears

1938 · Pen and black ink on ivory wove paper

64.7 × 50.8 cm (25 1/2 × 20 in.)

Art Institute of Chicago

Standing Woman Holding Child By the Hand

1938 · Pen and gray ink, over graphite, on ivory wove card

57.3 × 43.8 cm (22 9/16 × 17 1/4 in.)

Art Institute of Chicago

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone

1938 · Oil on canvas

21 1/2 x 25 5/8" (54.5 x 65.1 cm)

Museum of Modern Art

Metamorphosis of Narcissus

1937 · Oil paint on canvas

support: 511 x 781 mm frame: 820 x 1092 x 85 mm

Tate

Formation of the Monsters

1937 · Pen and black ink on pink laid paper

25.6 × 16.7 cm (10 1/8 × 6 5/8 in.)

Art Institute of Chicago

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method

1937 · Graphite on ivory wood-pulp laminate board

53.5 × 36.2 cm (21 1/8 × 14 5/16 in.)

Art Institute of Chicago

Inventions of the Monsters

1937 · Oil on canvas

51.4 × 78.4 cm (20 1/4 × 30 7/8 in.)

Art Institute of Chicago

Lobster Telephone

1936 · Steel, plaster, rubber, resin and paper

object: 178 x 330 x 178 mm

Tate

Autumnal Cannibalism

1936 · Oil paint on canvas

support: 651 x 651 mm frame: 898 x 899 x 85 mm

Tate

Forgotten Horizon

1936 · Oil paint on mahogany

support: 222 x 267 mm frame: 344 x 389 x 60 mm

Tate

Untitled (Self-Portrait Hidden in a Landscape)

1936 · Pen and brush and black ink on cream wove paper

54.5 × 44 cm (21 1/2 × 17 3/8 in.)

Art Institute of Chicago

City of Drawers

1936 · Graphite on buff wove paper

35.2 × 52.2 cm (13 7/8 × 20 9/16 in.)

Art Institute of Chicago

Venus de Milo with Drawers

1936 · Painted plaster with metal pulls and mink pom-poms

98 × 32.5 × 34 cm (38 5/8 × 12 3/4 × 13 3/8 in.)

Art Institute of Chicago

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano

1936 · Oil on canvas

48.3 × 64.1 cm (19 × 25 1/4 in.)

Art Institute of Chicago

Studies of Horsemen

1936 · Ink on paper

17 1/4 x 21 1/2" (43.8 x 54.6 cm)

Museum of Modern Art

Portrait of Gala

1935 · Oil on wood

12 3/4 x 10 1/2" (32.4 x 26.7 cm)

Museum of Modern Art

Limp Cranes and "Cranian" Harp

1935 · Etching

plate: 14 1/2 x 11 13/16" (36.9 x 30 cm); sheet 18 15/16 x 14 3/4" (48 x 37.4 cm)

Museum of Modern Art

Grain and Chaff (Grains et issues) from Grains et issues

1935 · Etching

composition: 7 5/8 x 5 1/2" (19.3 x 14 cm); sheet: 7 1/2 x 5 3/4" (19 x 14.6 cm)

Museum of Modern Art

Mae West's Face which May be Used as a Surrealist Apartment

1934 · Gouache with graphite, on commercially printed magazine page

28.3 × 17.8 cm (11 3/16 × 7 1/16 in.)

Art Institute of Chicago