Artworks · R. B. Kitaj

The Prevention of Destitution from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 16 1/8 x 12 3/4" (40.9 x 32.4cm); sheet: 22 3/8 x 30 13/16" (56.8 x 78.3cm)

Museum of Modern Art

THE PURSUIT OF THE HOUSE-BOAT from the portfolio IN OUR TIME COVERS FOR A SMALL LIBRARY AFTER THE LIFE FOR THE MOST PART

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 19 3/4 x 13 1/4" (50.2 x 33.7cm); sheet: 29 3/4 x 22 3/8" (75.5 x 56.9cm)

Museum of Modern Art

Marlborough (Mark Rothko) from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 18 15/16 x 16 7/8" (48.1 x 42.8cm); sheet: 22 5/8 x 29 13/16" (57.5 x 75.7cm)

Museum of Modern Art

In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · Portfolio of fifty screenprints, some with collage additions

Various composition and sheet dimensions.

Museum of Modern Art

O'Neill from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 13 5/16 x 18" (33.8 x 45.7cm); sheet: 22 1/16 x 30 3/4" (56.1 x 78.1cm)

Museum of Modern Art

China of To-day from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 18 1/8 x 22 7/8" (46 x 58.1cm); sheet: 22 1/2 x 30 3/8" (57.2 x 77.2cm)

Museum of Modern Art

Songs of a Sourdough from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 18 3/8 x 16 1/2" (46.7 x 41.9cm); sheet: 30 3/8 x 22 9/16" (77.2 x 57.3cm)

Museum of Modern Art

Edward Weston from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 13 5/8 x 10 3/8" (34.6 x 26.3cm); sheet: 30 1/16 x 22 9/16" (76.4 x 57.3cm)

Museum of Modern Art

Max and the White Phagocytes from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 19 13/16 x 13" (50.3 x 33cm); sheet: 30 5/8 x 22 3/8" (77.8 x 56.8cm)

Museum of Modern Art

Edward Hopper from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 15 13/16 x 19 7/8" (40.2 x 50.5cm); sheet: 22 7/16 x 30 5/8" (57 x 77.8cm)

Museum of Modern Art

The Congo and Other Poems from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 17 3/16 x 12 3/16" (43.7 x 31cm); sheet: 30 13/16 x 22 1/2" (78.2 x 57.2cm)

Museum of Modern Art

Coming of Age in Samoa from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 19 15/16 x 12 3/8" (50.7 x 31.4cm); sheet: 30 3/16 x 22 3/8" (76.7 x 56.8cm)

Museum of Modern Art

Towards a Better Life from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 17 15/16 x 14 9/16" (45.5 x 37cm); sheet: 30 3/8 x 22 15/16" (77.2 x 58.2cm)

Museum of Modern Art

Zeppelin Nights from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 17 7/8 x 12 3/4" (45.4 x 32.4cm); sheet: 30 1/8 x 22 1/4" (76.5 x 56.5cm)

Museum of Modern Art

THE PEOPLE OF THE ABYSS from the portfolio IN OUR TIME COVERS FOR A SMALL LIBRARY AFTER THE LIFE FOR THE MOST PART

1969 · One from a portfolio of fifty screenprints, some with collage additions

irreg composition 20 x 13 13/16" (50.8 x 35.1 cm)

Museum of Modern Art

Albyn from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 8 7/16 x 17 3/8" (21.4 x 44.2cm); sheet: 23 1/16 x 30 1/2" (58.6 x 77.5cm)

Museum of Modern Art

The Defence of Terrorism from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 18 x 13 5/16" (45.7 x 33.8cm); sheet: 30 1/4 x 22 5/8" (76.8 x 57.5cm)

Museum of Modern Art

How to Read from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 17 7/8 x 11 3/8" (45.4 x 28.9cm); sheet: 30 7/8 x 22 1/2" (78.4 x 57.2cm)

Museum of Modern Art

Reklame durch das Schaufenster from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 22 1/2 x 17" (57.2 x 43.2cm); sheet: 30 5/8 x 22 15/16" (77.8 x 58.3cm)

Museum of Modern Art

The Jewish Question from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 19 7/8 x 13 3/8" (50.5 x 34cm); sheet: 30 1/4 x 22 5/16" (76.8 x 56.7cm)

Museum of Modern Art

Wir haben es nicht vergessen: Nous n'avons pas oublié: We have not forgotten from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 12 1/8 x 17 15/16" (30.8 x 45.5cm); sheet: 22 3/16 x 30 9/16" (56.4 x 77.7cm)

Museum of Modern Art

Articles and Pamphlets from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 17 11/16 x 14 3/4" (44.9 x 37.5cm); sheet: 30 3/8 x 22 5/16" (77.1 x 56.7cm)

Museum of Modern Art

Kampflieder: Battle Songs: Canzoni di Guerra from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 15 3/16 x 21 5/8" (38.6 x 55cm); sheet: 22 3/8 x 30 1/2" (56.8 x 77.5cm)

Museum of Modern Art

Four in America from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 17 7/8 x 14 1/16" (45.4 x 35.7cm); sheet: 30 13/16 x 22 5/8" (78.2 x 57.4cm)

Museum of Modern Art

The Tower from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 17 7/8 x 13 1/4" (45.4 x 33.7cm); sheet: 30 1/4 x 22 1/2" (76.8 x 57.2cm)

Museum of Modern Art

Benia Krik from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition: 15 x 9 3/8" (38.1 x 23.8cm); sheet: 31 x 22 3/4" (78.8 x 57.8cm)

Museum of Modern Art

Final: City of Burbank, California, Annual Budget 1968-69 from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 19 9/16 x 15" (49.7 x 38.1cm); sheet: 30 7/8 x 22 7/16" (78.4 x 57cm)

Museum of Modern Art

Vampyr from In Our Time: Covers for a Small Library After the Life for the Most Part

1969 · One from a portfolio of fifty screenprints, some with collage additions

composition (irreg.): 18 x 12 7/8" (45.7 x 32.7cm); sheet: 30 3/4 x 22" (78.1 x 55.9cm)

Museum of Modern Art

CTRIC News Topi

1968 · Screenprint

composition 38 15/16 x 24 7/16" (98.9 x 62.1 cm)

Museum of Modern Art

FIFTIES GRAND SWANK (MORTON FELDMAN) from the portfolio FIRST SERIES - SOME POETS

1968 · Serigraph, printed in color

composition 31 7/16 x 14 7/8" (79.8 x 37.8 cm)

Museum of Modern Art

VERNISSAGE-COCKTAIL

1967 · Serigraph, printed in color

irreg composition 39 1/8 x 27 3/16" (99.3 x 69.1 cm)

Museum of Modern Art

BARRIO

1967 · Serigraph, printed in color

irreg composition 31 13/16 x 21" (80.8 x 53.3 cm)

Museum of Modern Art

THE DEFECTS OF ITS QUALITIES

1967 · Serigraph, printed in color with collage additions

irreg composition 35 7/16 x 24" (90 x 61 cm)

Museum of Modern Art

STAR BETELGEUSE (ROBERT DUNCAN) from the portfolio FIRST SERIES - SOME POETS

1967 · Serigraph, printed in color with collage additions

irreg composition 26 13/16 x 19 1/16" (68.1 x 48.4 cm)

Museum of Modern Art

In His Forthcoming Book on Relative Deprivation (Loneliness) from the portfolio Mahler Becomes Politics, Beisbol

1967 · One from a portfolio of fifteen screenprints

irreg composition 29 3/8 x 20" (74.6 x 50.8 cm)

Museum of Modern Art

For Fear from the portfolio Mahler Becomes Politics, Beisbol

1967 · Screenprint with varnish additions from a portfolio of fifteen screenprints

composition 20 x 32 15/16" (50.8 x 83.6 cm)

Museum of Modern Art

I’ve Balled Every Waitress in this Club from the portfolio Mahler Becomes Politics, Beisbol

1967 · Screenprint with collage from a portfolio of fifteen screenprints

composition 22 15/16 x 32 9/16" (58.2 x 82.7 cm)

Museum of Modern Art

Nerves, Massage, Defeat, Heart from the portfolio Mahler Becomes Politics, Beisbol

1967 · Screenprint with varnish additions from a portfolio of fifteen screenprints

composition 31 13/16 x 22 7/16" (80.8 x 57 cm)

Museum of Modern Art

The Flood of Laymen from the portfolio Mahler Becomes Politics, Beisbol

1967 · One from a portfolio of fifteen screenprints

irreg composition 30 x 18 7/16" (76.2 x 46.8 cm)

Museum of Modern Art

Glue-Words from the portfolio Mahler Becomes Politics, Beisbol

1967 · Screenprint with varnish additions from a portfolio of fifteen screenprints

irreg composition 31 5/16 x 22 7/8" (79.5 x 58.1 cm)

Museum of Modern Art

THE CULTURAL VALUE OF FEAR, DISTRUST, AND HYPOCHONDRIA

1966 · Serigraph, printed in color

composition 16 1/2 x 27 3/16" (41.9 x 69 cm)

Museum of Modern Art

LET US CALL IT ARDEN/AND LIVE IN IT!

1966 · Serigraph, printed in color

composition 27 3/4 x 18 1/8" (70.5 x 46 cm)

Museum of Modern Art

HEART (AS IN "HE HAS HEART")

1966 · Serigraph, printed in color

composition 21 x 29" (53.4 x 73.7 cm)

Museum of Modern Art

Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol

1966 · One from a portfolio of fifteen screenprints

composition 31 7/8 x 21 13/16" (80.9 x 55.4 cm)

Museum of Modern Art

Let Us Call It Arden / And Live In It! from the portfolio Mahler Becomes Politics, Beisbol

1966 · One from a portfolio of fifteen screenprints

composition 27 3/4 x 18 3/16" (70.5 x 46.2 cm)

Museum of Modern Art

The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol

1966 · One from a portfolio of fifteen screenprints

composition 16 13/16 x 27 1/8" (42.7 x 68.9 cm)

Museum of Modern Art

Heart from the portfolio Mahler Becomes Politics, Beisbol

1966 · One from a portfolio of fifteen screenprints

irreg composition 21 3/16 x 28 15/16" (53.8 x 73.5 cm)

Museum of Modern Art

His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol

1966 · Screenprint with collage from a portfolio of fifteen screenprints

composition 30 1/8 x 19 13/16" (76.5 x 50.3 cm)

Museum of Modern Art