For Fear from the portfolio Mahler Becomes Politics, Beisbol

Bucket Rider

2002 · Pastel and charcoal on colored paper

Los Angeles No. 4 (Barnes)

2000 · Oil on canvas

Untitled from Self-Portrait in a Convex Mirror

1984 · Etching and aquatint from an illustrated book with four lithographs, one offset lithograph, one woodcut, one etching with aquatint, one photogravure with hand additions, and one record

The Sneeze

1975 · Pastel and charcoal on paper

Greetings Pablo Ruiz from Homage to Picasso (Hommage à Picasso)

1973 · Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

Baghdad from Prints for Phoenix House

1972 · Screenprint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint