Artworks · Louis Anquetin

Self-portrait as a faun and four head studies

1915 · Pen and ink, brush and brown wash, and graphite

Sheet: 11 1/2 in. × 8 in. (29.2 × 20.3 cm)

The Metropolitan Museum of Art

Le Talion; La Cage; Ceux qui restent; Fortune

1898 · wove paper

sheet: 32.4 x 25 cm (12 3/4 x 9 13/16 in.)

National Gallery of Art

The Finish of the Horse Race

1898 · Watercolour on board

support: 260 x 530 mm

Tate

Program for The Retaliation (Le Talion), The Cage (La Cage), Those who Remain (Ceux qui restent), and Fortune from The Beraldi Album of Theatre Programs

1898 · One from an album of 50 lithographs

sheet: 13 9/16 x 10 1/16" (34.4 x 25.6 cm)

Museum of Modern Art

Dancing Nude and Advertisement for Eugène Verneau's "Estampes décoratives" [verso]

1897 · wove paper

sheet: 31.9 x 49.5 cm (12 9/16 x 19 1/2 in.)

National Gallery of Art

Dancing Nude and Advertisement for Eugène Verneau's "Estampes décoratives" [verso]

1897 · transfer lithograph in brown on light brown wove paper

sheet: 31.8 x 49.4 cm (12 1/2 x 19 7/16 in.)

National Gallery of Art

Dancing Nude

1897 · wove paper

sheet: 31.8 x 24.6 cm (12 1/2 x 9 11/16 in.)

National Gallery of Art

Firmin Gimiér and Un Satyre program for Mariage d'argent, and Le Fardeau de la liberté and Un Client sérieux de G. Coureline from The Beraldi Album of Theatre Programs

1897 · One from an album of 50 lithographs

sheet (folded): 12 3/8 x 9 11/16" (31.5 x 24.6 cm)

Museum of Modern Art

La Fille d'Artaban; La Nébuleuse; Dialogue inconnu

1896 · wove paper

sheet: 32 x 24.8 cm (12 5/8 x 9 3/4 in.)

National Gallery of Art

Program for The Daughter of Artabanus (La Fille d'Artaban), The Nebula (La Nébuleuse) and Unknown Dialogue (Dialogue inconnu) from The Beraldi Album of Theatre Programs

1896 · One from an album of 50 lithographs

sheet: 12 3/16 x 9 1/4" (31 x 23.5 cm)

Museum of Modern Art

The Horseman and the Beggar (Le Cavalier et le mendiant)

1893 · lithograph in black on wove paper

sheet: 41.8 × 57 cm (16 7/16 × 22 7/16 in.)

National Gallery of Art

The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le Mendiant), from "L'Estampe Originale"

1893 · Lithograph

Image: 14 7/16 × 19 5/16 in. (36.7 × 49.1 cm) Sheet: 16 1/8 × 22 5/16 in. (41 × 56.6 cm)

The Metropolitan Museum of Art

Girl Reading a Newspaper

1890 · Pastel on paper

support: 540 x 432 mm

Tate

The Outsider

1890 · Brush and brown and blue washes, over conte´ crayon, on cream wove paper

39 × 54.5 cm (15 3/8 × 21 1/2 in.)

Art Institute of Chicago

A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre)

1888 · Oil on canvas

90.5 × 72 cm (35 5/8 × 28 3/8 in.)

Art Institute of Chicago

Head Studies

1880 · pen

sheet: 26.67 × 20.64 cm (10 1/2 × 8 1/8 in.)

National Gallery of Art

Endehors par Zo d'Axa, I France le volume chamuel

1871 · lithography on paper

height: 80 cm, width: 60 cm

Rijksmuseum

Torso van atleet (Hercules?)

1871 · pencil, paper

height: 132 cm, width: 107 cm

Rijksmuseum

Anquetin Trade Card

1861 · Lithograph

Sheet: 11 13/16 × 8 3/4 in. (30 × 22.2 cm) Plate: 10 5/16 × 7 13/16 in. (26.2 × 19.8 cm)

The Metropolitan Museum of Art