WATTS INDEXThe canonical database of visual culture

Artists›Louis Anquetin

Louis Anquetin

1861

WA-00033328

Eure, France

PaintingImpressionismPost-Impressionism

Representation

None documented

Institutional Exhibitions

Works in Collection

Assets Indexed

Authority-backed Facts

Publications Referenced

80%

Profile Completeness

Cultural Positioning

Influence Graph

No influence edges encoded yet.

Authority Records (2)

WikidataQ287524

MoMA

Field Verification (3 fields)

2 cross-verified · 1 single-source

Birth yearMoMA· 93%✓
LocationMoMA· 93%✓
BiographyMoMA· 93%

Source Registry (2)

Sothebyshttps://www.sothebys.com/en/artists/louis-anquetin
Tier 3 · Scraped/inferred100%
MoMA bulk 2026-05-04https://www.moma.org/artists/32939
Tier 1 · Institutional92%

About

Why this artist matters now

No biography available for Louis Anquetin yet.

Graph relationships

Taste overlap and adjacency

Movement

Impressionism

Medium

Painting

Related Artists

12 in graph

Institutional

Museum Collections

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago Museum of Modern ArtNew York National Gallery of Art Tate

Canonical record

Artworks (19)

WattsOS

Self-portrait as a faun and four head studies

1915 · Pen and ink, brush and brown wash, and graphite

Sheet: 11 1/2 in. × 8 in. (29.2 × 20.3 cm)

The Metropolitan Museum of Art

Le Talion; La Cage; Ceux qui restent; Fortune

1898 · lithograph in black on wove paper [proof before letters]

sheet: 32.4 x 25 cm (12 3/4 x 9 13/16 in.)

National Gallery of Art

The Finish of the Horse Race

1898 · Watercolour on board

support: 260 x 530 mm

Tate

Program for The Retaliation (Le Talion), The Cage (La Cage), Those who Remain (Ceux qui restent), and Fortune from The Beraldi Album of Theatre Programs

1898 · One from an album of 50 lithographs

sheet: 13 9/16 x 10 1/16" (34.4 x 25.6 cm)

Museum of Modern Art

Dancing Nude and Advertisement for Eugène Verneau's "Estampes décoratives" [verso]

1897 · lithograph in brown on light brown wove paper

sheet: 31.9 x 49.5 cm (12 9/16 x 19 1/2 in.)

National Gallery of Art

Dancing Nude and Advertisement for Eugène Verneau's "Estampes décoratives" [verso]

1897 · transfer lithograph in brown on light brown wove paper

sheet: 31.8 x 49.4 cm (12 1/2 x 19 7/16 in.)

National Gallery of Art

Dancing Nude

1897 · transfer lithograph in brown on light brown wove paper [proof before letters]

sheet: 31.8 x 24.6 cm (12 1/2 x 9 11/16 in.)

National Gallery of Art

Firmin Gimiér and Un Satyre program for Mariage d'argent, and Le Fardeau de la liberté and Un Client sérieux de G. Coureline from The Beraldi Album of Theatre Programs

1897 · One from an album of 50 lithographs

sheet (folded): 12 3/8 x 9 11/16" (31.5 x 24.6 cm)

Museum of Modern Art

La Fille d'Artaban; La Nébuleuse; Dialogue inconnu

1896 · lithograph in black on wove paper

sheet: 32 x 24.8 cm (12 5/8 x 9 3/4 in.)

National Gallery of Art

Program for The Daughter of Artabanus (La Fille d'Artaban), The Nebula (La Nébuleuse) and Unknown Dialogue (Dialogue inconnu) from The Beraldi Album of Theatre Programs

1896 · One from an album of 50 lithographs

sheet: 12 3/16 x 9 1/4" (31 x 23.5 cm)

Museum of Modern Art

The Horseman and the Beggar (Le Cavalier et le mendiant)

1893 · lithograph in black on wove paper

sheet: 41.8 × 57 cm (16 7/16 × 22 7/16 in.)

National Gallery of Art

WattsOS

The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le Mendiant), from "L'Estampe Originale"

1893 · Lithograph

Image: 14 7/16 × 19 5/16 in. (36.7 × 49.1 cm) Sheet: 16 1/8 × 22 5/16 in. (41 × 56.6 cm)

The Metropolitan Museum of Art

Head Studies

1890 · pen and black ink on wove paper

sheet: 26.67 × 20.64 cm (10 1/2 × 8 1/8 in.)

National Gallery of Art

Girl Reading a Newspaper

1890 · Pastel on paper

support: 540 x 432 mm

Tate

The Outsider

1890 · Brush and brown and blue washes, over conte´ crayon, on cream wove paper

39 × 54.5 cm (15 3/8 × 21 1/2 in.)

Art Institute of Chicago

A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre)

1888 · Oil on canvas

90.5 × 72 cm (35 5/8 × 28 3/8 in.)

Art Institute of Chicago

Endehors par Zo d'Axa, I France le volume chamuel

1871 · lithography on paper

height: 80 cm, width: 60 cm

Rijksmuseum

Torso van atleet (Hercules?)

1871 · pencil, paper

height: 132 cm, width: 107 cm

Sheet: 11 13/16 × 8 3/4 in. (30 × 22.2 cm) Plate: 10 5/16 × 7 13/16 in. (26.2 × 19.8 cm)

The Metropolitan Museum of Art

View all 19 artworks →

Artwork sources (6)

19 published of 21 catalogued · 18 with image

Nga
7 published7 img
MoMA
3 publishedof 5 catalogued5 img
The Met
3 published
Rijksmuseum
2 published2 img
Tate
2 published2 img
Art Institute Chicago
2 published2 img

Per-Artwork Provenance Chains (top 4)

4 entries · 1 sources

Torso van atleet (Hercules?)
1871 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Endehors par Zo d'Axa, I France le volume chamuel
1871 · Rijksmuseum · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
The Finish of the Horse Race
1898 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number
Girl Reading a Newspaper
1890 · Tate · 1 prov
Url Pattern Extraction 2026-05-27·accession_number

Record

Images

Artsy

Art Institute of Chicago

Relationships

Movements2

Impressionism Post-Impressionism

Collections6

Rijksmuseum The Metropolitan Museum of Art Art Institute of Chicago Museum of Modern Art National Gallery of Art Tate

Institutional

Representation & Collections

In collection

Rijksmuseum

In collection

The Metropolitan Museum of Art

In collection

Art Institute of Chicago

In collection

Museum of Modern Art

New York, US

In collection

National Gallery of Art

In collection

Tate

Record

Exhibitions and timeline

No exhibitions or timeline entries yet