Artworks · John Marin

Ocean and Rocks

1917 · Watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame

42 × 49.5 cm (16 9/16 × 19 1/2 in.)

Art Institute of Chicago

Untitled (Green and White)

1917 · Watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame

37 × 43 cm (14 5/8 × 16 15/16 in.)

Art Institute of Chicago

Woolworth from the River

1917 · Etching with drypoint, selectively wiped, on ivory Japanese paper

Plate: 28.2 × 22.7 cm (11 1/8 × 8 15/16 in.); Sheet: 43.8 × 33.3 cm (17 1/4 × 13 1/8 in.)

Art Institute of Chicago

Tree and Mountain Forms, Delaware River Country

1916 · Watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed)

41.9 × 49 cm (16 1/2 × 19 5/16 in.)

Art Institute of Chicago

Woolworth Building

1916 · Graphite on cream wove paper

28 × 21.5 cm (11 1/16 × 8 1/2 in.)

Art Institute of Chicago

Sand Dunes, Wallace Head, Maine

1915 · Watercolor over graphite on thick wove paper

Sheet: 41.8 x 49.2 cm (16 7/16 x 19 3/8 in.)

Cleveland Museum of Art

Sketch of Marin Island

1915 · graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed) (verso of 1956.366a)

15.2 × 18.7 cm (6 × 7 3/8 in.)

Art Institute of Chicago

Floor Plans for a House

1915 · graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed) (verso of 1956.366a)

15.2 × 37.2 cm (6 × 14 11/16 in.)

Art Institute of Chicago

Marin Island

1915 · Watercolor with blotting and graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed)

15.2 × 18.5 cm (6 × 7 5/16 in.)

Art Institute of Chicago

Sketch of Lower Manhattan

1915 · Graphite on lightweight, smooth, cream wove paper, laid down on white wove card

Primary support: 33.6 × 24.9 cm (13 1/4 × 9 13/16 in.); Secondary support: 38.4 × 28.5 cm (15 1/8 × 11 1/4 in.)

Art Institute of Chicago

Other Side

1915 · Watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed)

66.5 × 54.2 cm (26 3/16 × 21 3/8 in.)

Art Institute of Chicago

Landscape in Maine

1915 · Watercolor with rewetting and blotting, over graphite, on thick, moderately textured, ivory wove paper (left and lower edges trimmed)

41.7 × 49.7 cm (16 7/16 × 19 5/8 in.)

Art Institute of Chicago

Brooklyn Bridge from Brooklyn (The Sun)

1915 · Etching with plate tone on off-white wove paper

Plate: 27.3 × 32.6 cm (10 3/4 × 12 7/8 in.); Sheet: 35.5 × 32.6 cm (14 × 12 7/8 in.)

Art Institute of Chicago

Weehawken, No. 1

1915 · Etching with graphite additions on ivory wove paper

Plate: 23.1 × 28.7 cm (9 1/8 × 11 5/16 in.); Sheet: 24.2 × 29.2 cm (9 9/16 × 11 1/2 in.)

Art Institute of Chicago

Trinity Church Yard

1915 · Etching on white laid paper, laid down on cream card

Plate: 24.5 × 19.8 cm (9 11/16 × 7 13/16 in.); Sheet: 27.1 × 22.9 cm (10 11/16 × 9 1/16 in.); Secondary support: 40.9 × 31.1 cm (16 1/8 × 12 1/4 in.)

Art Institute of Chicago

Brooklyn Bridge from Brooklyn (The Sun)

1915 · Etching with plate tone on ivory laid paper

Plate: 27.2 × 32.4 cm (10 3/4 × 12 13/16 in.); Sheet: 36.9 × 42.2 cm (14 9/16 × 16 5/8 in.)

Art Institute of Chicago

Grain Elevator, Weehawken

1915 · Etching

plate: 11 1/8 x 8 7/8" (28.3 x 22.6 cm); sheet: 15 1/2 x 13 11/16" (39.4 x 34.8 cm)

Museum of Modern Art

Brooklyn Bridge from Brooklyn (The Sun)

1915 · Etching

plate: 10 13/16 x 12 7/8" (27.5 x 32.6 cm); sheet: 13 1/2 x 19 1/16" (34.2 x 48.5 cm)

Museum of Modern Art

West Point, near Small Point, Maine—Autumn

1914 · Watercolor with traces of graphite on thick, highly textured wove paper

Image and Sheet: 41.5 x 48.9 cm (16 5/16 x 19 1/4 in.)

Cleveland Museum of Art

West Point, Maine

1914 · Watercolor with scraping and traces of graphite on thick, moderately rough-textured wove paper

Image and Sheet: 38 x 40.8 cm (14 15/16 x 16 1/16 in.)

Cleveland Museum of Art

Marin Island (recto); Landscape (verso)

1914 · Watercolor on thick wove paper

Sheet: 41.5 x 36.6 cm (16 5/16 x 14 7/16 in.)

Cleveland Museum of Art

House with Hedges and Path

1914 · Colored crayons with frottage and graphite on lightweight, smooth, ivory wove paper

20.3 × 31.9 cm (8 × 12 9/16 in.)

Art Institute of Chicago

Ragged Island, Maine

1914 · Watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame

42 × 49.7 cm (16 9/16 × 19 5/8 in.)

Art Institute of Chicago

The Little Tree, Maine

1914 · Watercolor with rewetting and touches of blotting, on thick, slightly textured, off-white wove paper (left and lower edges trimmed)

35.9 × 41.5 cm (14 3/16 × 16 3/8 in.)

Art Institute of Chicago

Woolworth Building (The Dance)

1913 · Etching on ivory laid paper

Plate: 32.5 × 26.3 cm (12 13/16 × 10 3/8 in.); Sheet: 42.9 × 36.5 cm (16 15/16 × 14 3/8 in.)

Art Institute of Chicago

Brooklyn Bridge, No. 6 (Swaying)

1913 · Etching with plate tone on ivory wove paper

Plate: 27.6 × 22.7 cm (10 7/8 × 8 15/16 in.); Sheet: 43 × 35.3 cm (16 15/16 × 13 15/16 in.)

Art Institute of Chicago

Woolworth Building No. 2

1913 · Etching and drypoint

plate: 12 13/16 x 10 7/16" (32.5 x 26.5 cm); sheet: 16 5/16 x 12 11/16" (41.5 x 32.3 cm)

Museum of Modern Art

Brooklyn Bridge

1913 · Etching

plate: 6 7/8 x 8 7/8" (17.4 x 22.5 cm); sheet: 12 11/16 x 15 3/8" (32.3 x 39.1 cm)

Museum of Modern Art

Brooklyn Bridge (Mosaic)

1913 · Etching and drypoint

plate: 11 1/4 x 8 7/8" (28.6 x 22.5 cm); sheet: 14 3/8 x 12" (36.6 x 30.4 cm)

Museum of Modern Art

Brooklyn Bridge

1913 · Etching

Museum of Modern Art

Brooklyn Bridge, No. 6

1913 · Etching

plate: 10 3/4 x 8 7/8" (27.3 x 22.5 cm); sheet: 16 15/16 x 13 11/16" (43.1 x 34.8 cm)

Museum of Modern Art

Woolworth Building (The Dance)

1913 · Etching and drypoint

composition: 10 7/8 x 8 7/16" (27.7 x 21.4 cm); plate: 13 x 10 5/8" (33 x 27 cm); sheet: 16 9/16 x 13 3/4" (42 x 35 cm)

Museum of Modern Art

Brooklyn Bridge No. 2

1913 · Etching

plate: 10 13/16 x 8 7/8" (27.5 x 22.6 cm); sheet: 12 1/2 x 10 1/16" (31.8 x 25.5 cm)

Museum of Modern Art

Movement: Fifth Avenue

1912 · Watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper

42.8 × 34.8 cm (16 7/8 × 13 3/4 in.)

Art Institute of Chicago

Saint Paul's, with Other Buildings

1911 · Watercolor and graphite on lightweight, moderately textured, off-white wove paper

24.5 × 20.1 cm (9 11/16 × 7 15/16 in.)

Art Institute of Chicago

Trees with Town in Distance

1910 · Watercolor and graphite on moderately thick, rough-textured, off-white wove paper

22.8 × 30.4 cm (9 × 12 in.)

Art Institute of Chicago

Building

1910 · Watercolor and graphite on lightweight, smooth, cream wove paper, laid down on white wove card

35.5 × 25.4 cm (14 × 10 in.)

Art Institute of Chicago

Buildings, One with Tower

1910 · Watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board

53.3 × 35.7 cm (21 × 14 1/16 in.)

Art Institute of Chicago

Weehawken, New Jersey

1910 · Watercolor with opaque watercolor, rewetting and touches of blotting, on lightweight, slightly textured, off-white wove paper, laid down on white wove paper

22.3 × 29.6 cm (8 13/16 × 11 11/16 in.)

Art Institute of Chicago

Buildings

1910 · Watercolor with blotting, on lightweight, moderately textured, ivory wove paper, laid down on white wove paper (left edge trimmed)

30.5 × 22.7 cm (12 1/16 × 8 15/16 in.)

Art Institute of Chicago

West Shore Docks, Weehawken, New Jersey

1910 · Watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card

Max: 27.6 × 21.8 cm (10 7/8 × 8 5/8 in.)

Art Institute of Chicago

Skyline with Boats in Foreground

1910 · Watercolor with wiping, scraping, and blotting, and graphite with charcoal, on lightweight, smooth, cream wove paper (left and lower edges trimmed), laid down on white wove card

25.4 × 35.4 cm (10 × 13 15/16 in.)

Art Institute of Chicago

Street Scene

1910 · Watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card

25.9 × 19.9 cm (10 1/4 × 7 7/8 in.); Secondary support: 33.7 × 27 cm (13 5/16 × 10 11/16 in.)

Art Institute of Chicago

Building

1910 · Watercolor with re-wetting and blotting on lightweight, slightly textured, off-white wove paper, pieced

16.1 × 12.6 cm (6 3/8 × 5 in.)

Art Institute of Chicago

New York with View of the Flatiron Building

1910 · Watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed)

33.9 × 25.4 cm (13 3/8 × 10 in.)

Art Institute of Chicago

West Street, New York

1910 · Watercolor and graphite on lightweight, slightly textured, off-white wove paper

17.7 × 25.4 cm (7 × 10 in.)

Art Institute of Chicago

Sketch of a Mountain

1910 · Watercolor on thick, rough textured, off-white wove paper

46.6 × 39.4 cm (18 3/8 × 15 9/16 in.)

Art Institute of Chicago

Austrian Tyrol

1910 · Watercolor with blotting on thick, rough-textured, off-white wove paper

46.6 × 39.4 cm (18 3/8 × 15 9/16 in.)

Art Institute of Chicago