Austrian Tyrol

Austrian Tyrol

John MarinWW-1910-131271

<p>In the summer of 1910, Marin spent six weeks in the Austrian Alps. The subject of his second solo exhibition at 291 in February 1911, his fluid and vividly colored Tyrolean watercolors mark a breakthrough in his artistic practice. For the first time, the artist worked with little or no graphite underdrawing, painting his most freely worked watercolors to date and communicating his feeling of energy and joy in the environment. Here Marin applied bright, transparent washes with rapid gestures and plenty of water, emphasizing the contour of a hill with an outline of bright yellow pigment that would become one of his trademarks. He improvised with subtraction as well, removing pigment from the center of the composition and allowing pale mists of color to obscure the mountains.</p>

Catalogue

Year
1910
Dimensions
46.6 × 39.4 cm (18 3/8 × 15 9/16 in.)

Artist

John Marin
John Marin

Painting

John Marin was an American modernist painter and printmaker known for his dynamic watercolors and etchings of coastal landscapes, particularly Maine. Working primarily in watercolor from the 1910s onward, he developed a fractured, energetic visual language that synthesized Cubist fragmentation with direct observation of nature. His gestural brushwork and bold use of paper's white ground anticipated Abstract Expressionism while maintaining a strong sense of place and atmospheric condition. Marin spent decades based in Maine, where the rocky coastlines and maritime environment became the primary subject of his mature work.

New York City

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Approaching Fog

Approaching Fog

1952 · Watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed)

WW-1952-135608
Movement: Boats and Objects, Blue Gray Sea

Movement: Boats and Objects, Blue Gray Sea

1947 · Oil on canvas

WW-1947-049935
Brooklyn Bridge - on the Bridge, No. 2

Brooklyn Bridge - on the Bridge, No. 2

1944 · Etching

WW-1944-M058361
Cape Split, Maine

Cape Split, Maine

1941 · Watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame

WW-1941-131259
Circus Elephants

Circus Elephants

1941 · Watercolor with scraping and wiping, and with opaque watercolor, graphite and black crayon, on medium-weight, slightly textured, cream laid paper

WW-1941-070077
Movement: Sky and Grey Sea

Movement: Sky and Grey Sea

1941 · Watercolor, charcoal, and pencil on paper

WW-1941-M031758

Record

Verified by WattsOS
Year
1910
Dimensions
46.6 × 39.4 cm (18 3/8 × 15 9/16 in.)
Watts ID
WW-1910-131271

Source

Source
aic
Status
verified

Artist

John Marin

John Marin

Painting

View artist profile →