Hans Bellmer

1973 · Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

plate: 12 1/2 x 9 7/16" (31.8 x 23.9cm); sheet: 26 x 19 3/4" (66 x 50.2cm)

Museum of Modern Art

1969 · Etching, with applied green paint, on brown mulberry paper

Plate: 29.1 × 27.9 cm (11 1/2 × 11 in.); Sheet: 39.9 × 33 cm (15 3/4 × 13 in.)

Art Institute of Chicago

1968 · Etching on white Japanese paper

Plate: 27.7 × 21.3 cm (10 15/16 × 8 7/16 in.); Sheet: 38 × 28.1 cm (15 × 11 1/8 in.)

Art Institute of Chicago

1968 · Etching on white Japanese paper

Image: 25.7 × 21.4 cm (10 1/8 × 8 7/16 in.); Sheet: 38 × 28.3 cm (15 × 11 3/16 in.)

Art Institute of Chicago

1968 · Etching on white Japanese paper

Plate: 27.7 × 21.2 cm (10 15/16 × 8 3/8 in.); Sheet: 37.5 × 28 cm (14 13/16 × 11 1/16 in.)

Art Institute of Chicago

1968 · Etching in black and white on brown laid paper

Plate: 29.5 × 38.1 cm (11 5/8 × 15 in.); Sheet: 48.4 × 66.8 cm (19 1/16 × 26 5/16 in.)

Art Institute of Chicago

1967 · Engraving on white Japanese paper

Plate: 14.9 × 8.6 cm (5 7/8 × 3 7/16 in.); Sheet: 22.7 × 16 cm (8 15/16 × 6 5/16 in.)

Art Institute of Chicago

1967 · Engraving on white Japanese paper

Plate: 14.6 × 8.4 cm (5 3/4 × 3 5/16 in.); Sheet: 22.6 × 15.9 cm (8 15/16 × 6 5/16 in.)

Art Institute of Chicago