Artworks · Gaspare Diziani

Design for a Ceiling: Venice Receiving Homage

1755 · Pen and black ink, brush and gray-green and blue-gray wash, over black chalk

11 7/8 x 8 1/16in. (30.2 x 20.5cm)

The Metropolitan Museum of Art

The Sacrifice of Isaac

1750 · tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouache

sheet: 39.6 × 28.6 cm (15 9/16 × 11 1/4 in.)

National Gallery of Art

Glorification of the Widmann Family

1750 · Pen and gray ink, gray wash, over black chalk

sheet: 15 3/16 x 10 9/16 in. (38.5 x 26.9 cm)

The Metropolitan Museum of Art

The Fall of Phaeton

1745 · pen and brown ink over red chalk with brown and gray wash on laid paper

Overall (approximate): 40.7 x 33 cm (16 x 13 in.) support: 50.6 x 43.4 cm (19 15/16 x 17 1/16 in.)

National Gallery of Art

Flagellation of Christ

1745 · pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite; framing lines in black chalk and pen and black ink

Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.); Sheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.)

Cleveland Museum of Art

Aeneas Carrying Anchises from Burning Troy

1733 · pen and brown ink with gray wash on tan laid paper

overall (approximate): 39.1 x 32.9 cm (15 3/8 x 12 15/16 in.)

National Gallery of Art

David Receiving the Hallowed Bread from Alchimelek

1725 · Pen and brown ink with brush and brown wash, with traces of black chalk, heightened with white chalk, on blue-gray laid paper, laid down on ivory laid paper

17.4 × 23.5 cm (6 7/8 × 9 5/16 in.)

Art Institute of Chicago

Saint Anthony of Padua and the Infant Jesus

1709 · Pen and brown ink over red chalk, on ivory laid paper, laid down on green wove paper

23.5 × 14.7 cm (9 5/16 × 5 13/16 in.)

Art Institute of Chicago

Dawn

1709 · Oil on canvas

78 x 94 1/2 in. (198.1 x 240 cm)

The Metropolitan Museum of Art

Bacchus and Ariadne

1709 · Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper

25.3 × 15.3 cm (10 × 6 1/16 in.)

Art Institute of Chicago

Holy Family

1709 · Pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on cream laid card

19.7 × 13.2 cm (7 13/16 × 5 1/4 in.)

Art Institute of Chicago

Death of Saint Joseph

1709 · Pen and black ink with brush and gray wash, over traces of black chalk, on ivory laid paper

28.5 × 17.2 cm (11 1/4 × 6 13/16 in.)

Art Institute of Chicago

Sketches of Madonna and Child, Flaying of Marsyas

1709 · Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory laid paper

17.7 × 9.9 cm (7 × 3 15/16 in.)

Art Institute of Chicago

Holy Family with Infant Saint John the Baptist

1709 · Pen and brown ink with brush and gray wash, squared in black chalk, on cream laid paper, laid down on card

23.5 × 18.1 cm (9 5/16 × 7 3/16 in.)

Art Institute of Chicago

Figure Studies and a Horse-Drawn Carriage (recto)

1700 · pen and brown ink with traces of red chalk on laid paper

sheet: 18.2 × 26.6 cm (7 3/16 × 10 1/2 in.) mount: 22.4 × 31 cm (8 13/16 × 12 3/16 in.)

National Gallery of Art

A Marriage Ceremony

1700 · red chalk on laid paper, laid down on old mount

sheet: 13.6 × 27.1 cm (5 3/8 × 10 11/16 in.) mount: 14.9 × 28.2 cm (5 7/8 × 11 1/8 in.)

National Gallery of Art

Christ in the Garden of Gethsemane

1700 · Pen and brown ink, brush and gray wash, over red chalk

sheet: 7 13/16 x 6 9/16 in. (19.8 x 16.6 cm) maximum; irregular borders

The Metropolitan Museum of Art

Diana and Endymion

1689 · pen and brown ink with brown wash and red chalk

overall: 23.9 x 35.1 cm (9 7/16 x 13 13/16 in.)

National Gallery of Art

The Virgin Entrusting the Christ Child to Saint Francis of Assisi

1689 · Two sheets of paper joined horizontally above center: pen and brown ink, brush and gray wash, over red chalk and lead or graphite (bottom sheet); brush and gray wash, over red chalk (top sheet)

11 5/16 x 7 9/16in. (28.8 x 19.2cm)

The Metropolitan Museum of Art

Hercules and Omphale

1689 · Pen and brown ink, brush and brown wash, over red chalk; squared in black chalk

11 5/8 x 7 3/4in. (29.6 x 19.7cm)

The Metropolitan Museum of Art

The Martyrdom of Saint Andrew (recto); Back of a Woman Wearing a Long Dress with a Ruff (verso)

1689 · Pen and brown ink, brush and gray and brown wash, over slight traces of lead or graphite (recto). Drawing executed with arched top. Framing lines and additional arched top framing lines in pen and brown ink. Graphite (verso)

19-3/4 x 12-5/8 in. (50.1 x 32 cm)

The Metropolitan Museum of Art