Design for a Ceiling: Venice Receiving Homage1755 · Pen and black ink, brush and gray-green and blue-gray wash, over black chalk11 7/8 x 8 1/16in. (30.2 x 20.5cm)The Metropolitan Museum of Art
The Sacrifice of Isaac1750 · tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouachesheet: 39.6 × 28.6 cm (15 9/16 × 11 1/4 in.)National Gallery of Art
Glorification of the Widmann Family1750 · Pen and gray ink, gray wash, over black chalksheet: 15 3/16 x 10 9/16 in. (38.5 x 26.9 cm)The Metropolitan Museum of Art
The Fall of Phaeton1745 · pen and brown ink over red chalk with brown and gray wash on laid paperOverall (approximate): 40.7 x 33 cm (16 x 13 in.) support: 50.6 x 43.4 cm (19 15/16 x 17 1/16 in.)National Gallery of Art
Flagellation of Christ1745 · pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite; framing lines in black chalk and pen and black inkImage: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.); Sheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.)Cleveland Museum of Art
Aeneas Carrying Anchises from Burning Troy1733 · pen and brown ink with gray wash on tan laid paperoverall (approximate): 39.1 x 32.9 cm (15 3/8 x 12 15/16 in.)National Gallery of Art
David Receiving the Hallowed Bread from Alchimelek1725 · Pen and brown ink with brush and brown wash, with traces of black chalk, heightened with white chalk, on blue-gray laid paper, laid down on ivory laid paper17.4 × 23.5 cm (6 7/8 × 9 5/16 in.)Art Institute of Chicago
Death of Saint Joseph1709 · Pen and black ink with brush and gray wash, over traces of black chalk, on ivory laid paper28.5 × 17.2 cm (11 1/4 × 6 13/16 in.)Art Institute of Chicago