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Artworks

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Couple and Death with a Drum, from "The Dance of Death"
Allaert Claesz
Engraving · 1520
The Metropolitan Museum of Art

Allegory with a Woman in Roman Dress on a Triumphal Chariot
Allaert Claesz
Engraving in black on ivory laid paper, laid down on ivory laid paper · 1520
Art Institute of Chicago

Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art

The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art

Satyress and her Infant
Severo da Ravenna
Indirect cast; copper alloy, dark brown with areas of black patina. · 1520
The Metropolitan Museum of Art

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Charger Depicting the Three Graces
Maestro Giorgio Andreoli
tin-glazed earthenware with gold lustre (maiolica) · 1520
Cleveland Museum of Art

Portrait of a Young Woman
Francesco Foschi
Metalpoint, touches of red chalk, on gray prepared paper. · 1520
The Metropolitan Museum of Art

Christus aan het volk getoond
Coxie, Michiel, I
pen on paper, ink · 1520
Rijksmuseum

St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Correggio
Red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card · 1520
Art Institute of Chicago

Male Head and Sketch of Right Hand Holding Stylus
Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago

Prediking van Johannes de Doper
Frans Crabbe van Espleghem
paper · 1520
Rijksmuseum

The Lamentation
Ambrosius Benson
Oil on canvas, transferred from wood · 1520
The Metropolitan Museum of Art

Mary (1505–1558), Queen of Hungary
Jan Cornelisz. Vermeyen
Oil on wood · 1520
The Metropolitan Museum of Art
Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu)
Wen Zhengming
Hanging scroll; ink on paper · 1520
Cleveland Museum of Art

Trajan Crowned by Victory
Marcantonio Raimondi
Engraving printed in black on paper · 1520
Art Institute of Chicago
The Cassollette: Women Supporting an Urn
Marcantonio Raimondi
engraving · 1520
Cleveland Museum of Art

Male Head and Sketch of Right Hand Holding Stylus
Antonio Allegri Da Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago

St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Antonio Allegri Da Correggio
Red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card · 1520
Art Institute of Chicago

The Holy Family with Saint Elizabeth and the Infant John the Baptist
Polidoro da Caravaggio
Pen and brown ink, brush and brown and grayish brown wash over black chalk with white heightening, traces of squaring in pen and brown ink (especially evident at lower right and lower left). · 1520
The Metropolitan Museum of Art