Database / Artworks
Artworks
Paperweight
Clichy Glasshouse
Glass · 1841
Art Institute of Chicago
Doorknob
Clichy Glasshouse
Glass · 1841
Art Institute of Chicago
On the Rhine (recto), and Mother and Child (verso)
Elizabeth Murray
Brush and brown and gray wash, heightened with white gouache, over graphite (recto), and graphite (verso), on blue wove paper · 1841
Art Institute of Chicago
Majolica, Lake Como
Elizabeth Murray
Watercolor and white gouache over graphite on gray wove paper · 1841
Art Institute of Chicago
Portofino from the Sea, Genoa
Elizabeth Murray
Watercolor and white gouache over graphite on gray wove paper · 1841
Art Institute of Chicago
Albenga on the Corniche (Costal) Road
Elizabeth Murray
Watercolor and white gouache over graphite on gray wove paper · 1841
Art Institute of Chicago
Charles Gounod
Jean-Auguste-Dominique Ingres
Graphite on ivory wove paper, discolored to cream · 1841
Art Institute of Chicago
Study of a Nude Figure and a Faun
Pierre Andrieu
Graphite on cream laid paper · 1841
Art Institute of Chicago
A Dredge
Charles Méryon
Graphite on buff laid paper · 1841
Art Institute of Chicago
A New Zealand Float
Charles Méryon
Graphite on buff laid paper, tipped on ivory laid paper · 1841
Art Institute of Chicago
Diagrammatic sketch of building
Charles Méryon
Red Conté crayon with graphite on cream wove tracing paper (discolored to tan), tipped on cream wove card · 1841
Art Institute of Chicago
Diagram
Charles Méryon
Red Conté crayon with graphite on cream wove tracing paper (discolored to tan), tipped on cream wove card · 1841
Art Institute of Chicago
Study for Joan of Arc, and Sketches of Hands
Jean-Auguste-Dominique Ingres
Graphite on tan wove tracing paper, laid down on off-white wove paper, laid down on cream board · 1841
Art Institute of Chicago
Milking Stool
Shaker
Maple and pine · 1841
Art Institute of Chicago
Elm and Birch, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Wych Elm and Firs, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Stone Pines, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Sycamore, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Yew, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Wych Elm, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Scotch Fir, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Old Oaks, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Birch and Oak, from The Park and the Forest
James Duffield Harding
Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago
Cedars of Lebanon, from The Park and the Forest
James Duffield Harding
Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé) · 1841
Art Institute of Chicago