Database / Artworks
Artworks

Faust and Mephistopheles Galloping Through the Night of the Witches' Sabbath, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Mephistopheles Visits Martha, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago

The Duel Between Faust and Valentine, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Faust in His Study, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago

Faust and Wagner, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago

Faust Trying to Seduce Marguerite, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Faust, Mephistopheles and the Poodle, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper laid down on white wove paper · 1828
Art Institute of Chicago

Mephistopheles Flying, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago

La Promenade
Isaac Cruikshank
Hand-colored etching · 1828
The Metropolitan Museum of Art

Sheet of Sketches
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Saul and the Witch of Endor
William Sidney Mount
oil on canvas · 1828
Smithsonian American Art Museum

The Least Strong is the Most Treacherous
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

He must see things favorably!
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Gâres les Albums
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago

Evening Bell at Kamakura, View of the Mountains of Awa Province from Tsurugaoka (Kamakura bansho, Tsurugaoka yori Boshu yama no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Clearing Weather at Enoshima, Morokoshigahara off the Shore of Koyurugi (Enoshima seiran, Koyurugi no iso Morokoshigahara), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Night Rain at Oyama, View of the Summit Above the Former Fudo Temple (Oyama yau, juzen Fudo yori chojo no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Evening Glow at Atami, True View of Oshima from Atami Harbor (Atami sekisho, Atamigahama yori Oshima no shinkei), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Returning Sails at Kanazawa, View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Autumn Moon of the Jewel River, View of Fishermen Catching Sweetfish (Tamagawa shugetsu, Tamagawa ayukumi no zu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago

Standing Turk, plate eleven from Ink Sketches by Charlet
Nicolas Toussaint Charlet
Lithograph in black on light gray China paper, laid down on white wove paper · 1828
Art Institute of Chicago

Seated Turk, plate one from Ink Sketches by Charlet
Nicolas Toussaint Charlet
Lithograph in black on ivory China paper, laid down on cream wove paper · 1828
Art Institute of Chicago

Katherine Foote
Hiram Powers
plaster · 1828
Smithsonian American Art Museum