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Artworks

281 records
Faust and Mephistopheles Galloping Through the Night of the Witches' Sabbath, from Faust
Faust and Mephistopheles Galloping Through the Night of the Witches' Sabbath, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Mephistopheles Visits Martha, from Faust
Mephistopheles Visits Martha, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago
The Duel Between Faust and Valentine, from Faust
The Duel Between Faust and Valentine, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Faust in His Study, from Faust
Faust in His Study, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago
Faust and Wagner, from Faust
Faust and Wagner, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago
Faust Trying to Seduce Marguerite, from Faust
Faust Trying to Seduce Marguerite, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Faust, Mephistopheles and the Poodle, from Faust
Faust, Mephistopheles and the Poodle, from Faust
Eugene Delacroix
Lithograph in black on ivory wove paper laid down on white wove paper · 1828
Art Institute of Chicago
Mephistopheles Flying, from Faust
Mephistopheles Flying, from Faust
Eugene Delacroix
Lithograph in black on white wove paper · 1828
Art Institute of Chicago
La Promenade
La Promenade
Isaac Cruikshank
Hand-colored etching · 1828
The Metropolitan Museum of Art
Sheet of Sketches
Sheet of Sketches
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Saul and the Witch of Endor
Saul and the Witch of Endor
William Sidney Mount
oil on canvas · 1828
Smithsonian American Art Museum
The Least Strong is the Most Treacherous
The Least Strong is the Most Treacherous
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
He must see things favorably!
He must see things favorably!
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Gâres les Albums
Gâres les Albums
Denis Auguste Marie Raffet
Lithograph in black on ivory wove paper · 1828
Art Institute of Chicago
Evening Bell at Kamakura, View of the Mountains of Awa Province from Tsurugaoka (Kamakura bansho, Tsurugaoka yori Boshu yama no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Evening Bell at Kamakura, View of the Mountains of Awa Province from Tsurugaoka (Kamakura bansho, Tsurugaoka yori Boshu yama no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Clearing Weather at Enoshima, Morokoshigahara off the Shore of Koyurugi (Enoshima seiran, Koyurugi no iso Morokoshigahara), from the series "Eight Views of Famous Places (Meisho hakkei)"
Clearing Weather at Enoshima, Morokoshigahara off the Shore of Koyurugi (Enoshima seiran, Koyurugi no iso Morokoshigahara), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Night Rain at Oyama, View of the Summit Above the Former Fudo Temple (Oyama yau, juzen Fudo yori chojo no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Night Rain at Oyama, View of the Summit Above the Former Fudo Temple (Oyama yau, juzen Fudo yori chojo no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Evening Glow at Atami, True View of Oshima from Atami Harbor (Atami sekisho, Atamigahama yori Oshima no shinkei), from the series "Eight Views of Famous Places (Meisho hakkei)"
Evening Glow at Atami, True View of Oshima from Atami Harbor (Atami sekisho, Atamigahama yori Oshima no shinkei), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Returning Sails at Kanazawa, View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Returning Sails at Kanazawa, View of Nojima from Seto Bridge (Kanazawa kihan, Setobashi yori Nojima no zu), from the series "Eight Views of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Autumn Moon of the Jewel River, View of Fishermen Catching Sweetfish (Tamagawa shugetsu, Tamagawa ayukumi no zu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Autumn Moon of the Jewel River, View of Fishermen Catching Sweetfish (Tamagawa shugetsu, Tamagawa ayukumi no zu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Evening Snow on Mount Fuji, Complete View of the Inner and Middle Shrines at Shimo Sengen (Fuji bosetsu, Shimo Sengen atomiya nakamiya zenzu), from the series "Eight VIews of Famous Places (Meisho hakkei)"
Utagawa Toyoshige (Toyokuni II)
Color woodblock print; oban · 1828
Art Institute of Chicago
Standing Turk, plate eleven from Ink Sketches by Charlet
Standing Turk, plate eleven from Ink Sketches by Charlet
Nicolas Toussaint Charlet
Lithograph in black on light gray China paper, laid down on white wove paper · 1828
Art Institute of Chicago
Seated Turk, plate one from Ink Sketches by Charlet
Seated Turk, plate one from Ink Sketches by Charlet
Nicolas Toussaint Charlet
Lithograph in black on ivory China paper, laid down on cream wove paper · 1828
Art Institute of Chicago
Katherine Foote
Katherine Foote
Hiram Powers
plaster · 1828
Smithsonian American Art Museum
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