Database / Artworks

Artworks

350 records
Sampler
Sampler
Rebecca Knight, Scottish
embroidery & stitching, sampler — medium: linen, silk. technique: cross stitch embroidery. · 1740
Cooper Hewitt, Smithsonian Design Museum
Cup and Saucer (One of a Pair)
Cup and Saucer (One of a Pair)
Chantilly Porcelain Manufactory, French, active ca. 1725 - ca. 1789
ceramics, decorative arts, cup and saucer — soft paste porcelain, vitreous enamel · 1740
Cooper Hewitt, Smithsonian Design Museum
Charger
Charger
Olérys-Laugier Factory, France, founded 1738
ceramics, decorative arts, charger — tin-glazed earthenware · 1740
Cooper Hewitt, Smithsonian Design Museum
Second recueil et troisième livre de cartouches (Second Album and Third Book of Cartouches)
Second recueil et troisième livre de cartouches (Second Album and Third Book of Cartouches)
Jacques de Lajoüe, French
albums (bound) & books, album · 1740
Cooper Hewitt, Smithsonian Design Museum
Architectural Study
Architectural Study
Giuseppe Valeriani
pen and black ink with gray and brown wash over graphite on laid paper, with the cupola redrawn on a separate piece of paper and pasted down · 1740
National Gallery of Art
Mystic Marriage of Saint Catherine
Mystic Marriage of Saint Catherine
John Baptist Jackson
chiaroscuro woodcut printed in tones of gray from four blocks on laid paper · 1740
National Gallery of Art
A Field Mouse, from Below
A Field Mouse, from Below
Johann Rudolph Schellenberg
watercolor with graphite and black pen and ink on wove paper · 1740
National Gallery of Art
A Field Mouse, from Above
A Field Mouse, from Above
Johann Rudolph Schellenberg
watercolor with graphite and black pen and ink on wove paper · 1740
National Gallery of Art
Lorenzino de' Medici, 1514-1547, Son of Pierfrancesco II [obverse]
Lorenzino de' Medici, 1514-1547, Son of Pierfrancesco II [obverse]
Antonio Francesco Selvi
bronze · 1740
National Gallery of Art
Cap of Liberty between Daggers [reverse]
Cap of Liberty between Daggers [reverse]
Antonio Francesco Selvi
bronze · 1740
National Gallery of Art
Painting
Painting
Christian Wilhelm Ernst Dietrich
etching on laid paper · 1740
National Gallery of Art
View of a Town with a Bishop's Tomb
View of a Town with a Bishop's Tomb
Canaletto
etching in black on laid paper · 1740
National Gallery of Art
Landscape with a Woman at a Well
Landscape with a Woman at a Well
Canaletto
etching · 1740
National Gallery of Art
Camel
Camel
Johann Rudolph Schellenberg
red and black chalk on laid paper · 1740
National Gallery of Art
Ship Guided by Stars [reverse]
Ship Guided by Stars [reverse]
Antonio Francesco Selvi
bronze · 1740
National Gallery of Art
Giovanni Carlo de' Medici, 1611-1663, Cardinal 1644 [obverse]
Giovanni Carlo de' Medici, 1611-1663, Cardinal 1644 [obverse]
Antonio Francesco Selvi
bronze · 1740
National Gallery of Art
Contessina de' Bardi, died 1473, Wife of Cosimo de' Medici il Vecchio [obverse]
Contessina de' Bardi, died 1473, Wife of Cosimo de' Medici il Vecchio [obverse]
Antonio Francesco Selvi
lead · 1740
National Gallery of Art
Ship and Fortified City [reverse]
Ship and Fortified City [reverse]
Antonio Francesco Selvi
lead · 1740
National Gallery of Art
Seated Youth Leaning against an Urn
Seated Youth Leaning against an Urn
Giovanni Battista Tiepolo
etching in red-brown on laid paper · 1740
National Gallery of Art
Seated Youth Leaning against an Urn
Seated Youth Leaning against an Urn
Giovanni Battista Tiepolo
etching on laid paper (proof before signature on urn) · 1740
National Gallery of Art
Animals in a Stable
Animals in a Stable
Philippe Jacques de Loutherbourg, II
red chalk on laid paper · 1740
National Gallery of Art
Mucius Scaevola [recto]
Mucius Scaevola [recto]
John Hamilton Mortimer
pen and black ink on laid paper · 1740
National Gallery of Art
Studies with Central Female Face
Studies with Central Female Face
John Hamilton Mortimer
pen and black and brown inks over black chalk on laid paper · 1740
National Gallery of Art
Venus and Cupid Discovering the Body of Adonis
Venus and Cupid Discovering the Body of Adonis
Giovanni Battista Tiepolo
pen and brown ink with brown wash over black chalk on laid paper · 1740
National Gallery of Art
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