Database / Artworks
Artworks
The Woodchopper
Jean-François Millet
Oil on canvas · 1853
Art Institute of Chicago
Study for an arch of Pont Notre-Dame, Paris
Charles Méryon
Graphite on cream wove tracing paper, tipped on ivory wove paper · 1853
Art Institute of Chicago
Study for an arch of Pont Notre-Dame, Paris
Charles Méryon
Graphite, with touches of pen and brown ink on cream wove tracing paper (discolored to tan), tipped onto buff wove paper · 1853
Art Institute of Chicago
Rue des Toiles, Bourges
Charles Méryon
Graphite on ivory laid paper, tipped onto ivory laid paper · 1853
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching and drypoint in brown on verdâtre greenish laid paper, hinged to cream laid paper · 1853
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching and drypoint on ivory laid paper · 1853
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching and drypoint on verdâtre (greenish) laid paper · 1853
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching on tan laid chine · 1853
Art Institute of Chicago
Rue des Toiles, Bourges
Charles Méryon
Etching and drypoint on ivory wove paper · 1853
Art Institute of Chicago
Rue des Toiles, Bourges
Charles Méryon
Etching and drypoint on verdâtre (greenish) laid paper · 1853
Art Institute of Chicago
Plan of the Battle of Sinope
Charles Méryon
Etching and roulette in black and tinted with watercolor in blue and yellow on paper · 1853
Art Institute of Chicago
Seated Man with Extended Left Arm
Félicien Rops
Pen and black ink, with brush and gray wash and black crayon, over graphite, on cream laid paper · 1853
Art Institute of Chicago
Les Invalides du Sentiment: Philibert le mauvais sujet
Paul Gavarni
Lithograph in black on cream wove paper · 1853
Art Institute of Chicago
Caddy Jellyby met bloemen in haar hand in een kamer met twee andere vrouwen
Hablot Knight Browne
roulette on paper · 1853
Rijksmuseum
Frontispiece for Lupanie
Félicien Rops
Etching on paper · 1853
Art Institute of Chicago
"Taking Care of Number One" or A Gentleman Endeavoring to Keep "Number One" Out of "St Pauls Church Yard" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top)
George Cruikshank
Two steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1853
Art Institute of Chicago
Scarcity of Domestic Services, or Every Family Their Own Cooks!!! from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)
George Cruikshank
Four steel etchings in black on cream India paper, laid down on off-white card (chine collé) · 1853
Art Institute of Chicago
Mme. Pape-Carpantier
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1878), volume 5 · 1853
Art Institute of Chicago
Ernest Legouvé
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 3 · 1853
Art Institute of Chicago
Auguste Vacquerie
Charles Victor Hugo
Salted paper print from paper negative · 1853
The Metropolitan Museum of Art
Trees in the Clouds on Layered Mountains (Jûzan umbokuzu)
Nakabayashi Chikutô
Hanging scroll; ink on silk · 1853
Art Institute of Chicago
Ferdinand Fabre
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 3 · 1853
Art Institute of Chicago
Louis Figuier
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1877), volume 4 · 1853
Art Institute of Chicago
Gondinet
Nadar (Gaspard Félix Tournachon)
Woodburytype, from the periodical “Galerie Contemporaine Littéraire, Artistique” (1876), volume 3 · 1853
Art Institute of Chicago