Database / Artworks
Artworks
Gem Engraving, from Encyclopédie
Benoît-Louis Prévost
Engraving on cream laid paper · 1762
Art Institute of Chicago
Elements of Wood Engraving, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Gem Engraving, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Elements of Wood Engraving, from Encyclopédie
A. J. Defehrt
Etching, with engraving, on cream laid paper · 1762
Art Institute of Chicago
Wood Engraving, Tools, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Wood Engraving, Tools, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Wood Engraving, Tools, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Wood Engraving, Tools, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Etching, "Balotter" Machine, from Encyclopédie
Bénard
Engraving on cream laid paper · 1762
Art Institute of Chicago
Mezzotint, from Encyclopédie
A. J. Defehrt
Engraving and mezzotint on cream laid paper · 1762
Art Institute of Chicago
Etching: Biting the Plate, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Crayon-Manner Engraving, from Encyclopédie
A. J. Defehrt
Engraving and crayon-manner engraving on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Etching, with engraving, on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Engraving, with etching, on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Etching, with engraving and stipple, on cream laid paper · 1762
Art Institute of Chicago
Bust of Old Bearded Man
Antonio Cavallucci
Black and white chalk, on blue laid paper (discolored to brown) · 1762
Art Institute of Chicago
Bust of a Youth
Rev. Matthew William Peters
Red chalk, with stumping, on cream laid paper, tipped on cream laid paper · 1762
Art Institute of Chicago
Sir William Portsman
John Francis Rigaud
Brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper · 1762
Art Institute of Chicago
Cardinal Giuseppe Maria Feroni (1699–1767)
Jean André
Marble · 1762
The Metropolitan Museum of Art
Design for Dedication Page to Charles III of Spain and the Two Sicilies
Giovanni Battista Tiepolo, Italian
Pen and brown ink, brush and wash, black chalk on white laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Alternative Design for the High Altar, Santa Maria del Priorato, Rome, Italy
Carlo Marchionni, Italian
Pen and black ink, brush and gray wash, black chalk on white laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan's Column. 4. The ascent to the Quirinal, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago
![View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome](/api/images/artworks/aic/64573.jpg)
View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago