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Artworks
In-text plate (folio 23 verso) from Metafisikal Translations
Eduardo Paolozzi
One from an illustrated book with thirty screenprints (including title page) · 1962
Museum of Modern Art
Plate 18 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Victor Servranckx
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 11 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Joseph Lacasse
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 20 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Georges Vantongerloo
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 15 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Emilio Pettoruti
Etching and aquatint from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 14 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Alberto Magnelli
Etching and aquatint from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 6 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Farfa
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 5 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Sonia Delaunay
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 2 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Alexander Archipenko
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 4 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Serge Charchoune
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 12 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Mikhail Larionov
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 8 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Natalia Goncharova
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 1 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Josef Albers
Engraving from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 7 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Jean Fautrier
Etching, aquatint, and embossing from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 10 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Marcel Janco
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 17 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Hans Richter
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 13 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Stanton Macdonald-Wright
Etching and drypoint from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 16 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Alfred Reth
Etching and drypoint from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 19 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Gino Severini
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art
Plate 1 (folio 6) from Rencontre
Enrique Zañartu
Etching, aquatint and engraving · 1962
Museum of Modern Art
Orpheum Sign (plate 13) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Claes Oldenburg
Etching and aquatint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Plate 2 (folio 8) from Rencontre
Enrique Zañartu
Etching, aquatint and engraving · 1962
Museum of Modern Art
Cooking Pot (plate 18) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Andy Warhol
Relief halftone from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art
Untitled (plate 19) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Watts
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art