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Artworks

346 records
Repose
Repose
Max Klinger
Etching on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Rescue, plate four from A Glove
Rescue, plate four from A Glove
Max Klinger
Etching on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Triumph, plate five from A Glove
Triumph, plate five from A Glove
Max Klinger
Etching on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Homage, plate six from A Glove
Homage, plate six from A Glove
Max Klinger
Etching on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
A Glove: Action
A Glove: Action
Max Klinger
Etching and aquatint on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Fears, plate seven from A Glove
Fears, plate seven from A Glove
Max Klinger
Etching on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Place, plate one from A Glove
Place, plate one from A Glove
Max Klinger
Ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Wishes, plate three from A Glove
Wishes, plate three from A Glove
Max Klinger
Etching and aquatint on ivory chine collé on off-white wove paper · 1881
Art Institute of Chicago
Initial Letters - Essentials at Fort Adobe - Letter T
Initial Letters - Essentials at Fort Adobe - Letter T
Frederic Remington
Pen and black ink, on off-white wove card · 1881
Art Institute of Chicago
Salvia Silvarum
Salvia Silvarum
John Ruskin
Pen and brown ink, over graphite, on cream wove paper · 1881
Art Institute of Chicago
Oak
Oak
William Morris
Silk; damask weave · 1881
Art Institute of Chicago
Table Centerpiece
Table Centerpiece
Rinaldo Carnielo
Bronze · 1881
Art Institute of Chicago
Science
Science
Aimé-Jules Dalou
Wax · 1881
Art Institute of Chicago
Standing Nude
Standing Nude
Aristide Joseph-Bonaventure Maillol
Red chalk, with stumping, on cream laid paper · 1881
Art Institute of Chicago
Woman Seen From Behind
Woman Seen From Behind
Aristide Joseph-Bonaventure Maillol
Red chalk offset on cream laid paper · 1881
Art Institute of Chicago
Reclining Female Nude (recto) Female Nude (verso)
Reclining Female Nude (recto) Female Nude (verso)
Aristide Joseph-Bonaventure Maillol
Graphite, with touches of erasing, on tan wove paper · 1881
Art Institute of Chicago
Saint Gabriel's Church, Chicago, Illinois, Elevation and Section
Saint Gabriel's Church, Chicago, Illinois, Elevation and Section
Burnham and Root
Graphite on drawing paper · 1881
Art Institute of Chicago
Mon Ancien Regiment
Mon Ancien Regiment
Jean Baptiste Édouard Detaille
Oil on canvas · 1881
Art Institute of Chicago
Loading Hay
Loading Hay
Mihály Munkácsy
Oil on canvas · 1881
Art Institute of Chicago
Spandrel Panel from the Rosenfeld Building, Chicago, Illinois
Spandrel Panel from the Rosenfeld Building, Chicago, Illinois
Adler & Sullivan, Architects
Terracotta · 1881
Art Institute of Chicago
Robbing the Male
Robbing the Male
Underwood & Underwood
photograph · 1881
Art Institute of Chicago
Head Wearing a Phrygian Cap, on a Salver
Head Wearing a Phrygian Cap, on a Salver
Odilon Redon
Charcoal with black chalk, stumping, scraping and erasing, on pale pink wove paper with red/pink and blue fibers, discolored to buff · 1881
Art Institute of Chicago
The Last Horse Shot, the Thornburg Massacre
The Last Horse Shot, the Thornburg Massacre
Frederic Remington
Brush and black wash and pen and black ink with touches of scraping, on ivory laid paper laid down on board · 1881
Art Institute of Chicago
The Cuban Martyrdom
The Cuban Martyrdom
Frederic Remington
Pen and black ink and brush and black wash, with opaque white watercolor, over graphite, on cream wove paper · 1881
Art Institute of Chicago
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