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Artworks

250 records
At Concarneau, Finistère
At Concarneau, Finistère
Maxime Lalanne
Etching on cream Japanese paper · 1874
Art Institute of Chicago
Still Life with Fruit and Wine Jug
Still Life with Fruit and Wine Jug
Adolphe Joseph Thomas Monticelli
Oil on panel · 1874
Art Institute of Chicago
Shoshone Falls, Snake River, Idaho. Gorge and natural bridge, in the fore-ground, No. 50 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Shoshone Falls, Snake River, Idaho. Gorge and natural bridge, in the fore-ground, No. 50 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Shoshone Falls, Snake River, Idaho, Main Fall, 210 feet from upper to lower level, width of fall, 800 feet from upper to lower level; Height of Cañon wall at the falls, 1.000 feet. A number of minor falls, Islands, and boulder rocks above the main fall add beauty to the lonely majesty of this scene, No. 48 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Shoshone Falls, Snake River, Idaho, Main Fall, 210 feet from upper to lower level, width of fall, 800 feet from upper to lower level; Height of Cañon wall at the falls, 1.000 feet. A number of minor falls, Islands, and boulder rocks above the main fall add beauty to the lonely majesty of this scene, No. 48 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Shoshone Falls, Snake River, Idaho, looking through the timber, and showing the main fall, and upper or "Lace Falls", No. 49 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Shoshone Falls, Snake River, Idaho, looking through the timber, and showing the main fall, and upper or "Lace Falls", No. 49 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Le Pont de Bercy
Le Pont de Bercy
Anthelme Trimolet
Etching and drypoint on laid paper · 1874
Art Institute of Chicago
Fragment (Furnishing Fabric)
Fragment (Furnishing Fabric)
Hablot Knight Browne
Cotton, plain weave; roller and engraved roller printed; glazed · 1874
Art Institute of Chicago
Imogen
Imogen
Erastus Dow Palmer
Bronze · 1874
Art Institute of Chicago
Florence Leyland
Florence Leyland
James McNeill Whistler
Drypoint with foul biting in black ink on ivory laid paper · 1874
Art Institute of Chicago
Fanny Leyland
Fanny Leyland
James McNeill Whistler
Drypoint in black ink on ivory laid paper · 1874
Art Institute of Chicago
Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between Conejos and south fork of Alamosa Rivers, surrounded by forest of Douglass spruce, and approximately 11.000 feel above sea-level, No. 37 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Roman Catholic Church, Plaza of Guadaloupe, Guadaloupe Co., Colorado. Built not many years since of adobes. Dimensions, length 120 feet; width 60 feet; height 25 feet. Grave yard in the foreground surrounded by an abode wall about 6 feet in height, No. 34 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Roman Catholic Church, Plaza of Guadaloupe, Guadaloupe Co., Colorado. Built not many years since of adobes. Dimensions, length 120 feet; width 60 feet; height 25 feet. Grave yard in the foreground surrounded by an abode wall about 6 feet in height, No. 34 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Beaver Lake, Conejos Cañon, Colorado, 9.000 feet above sea-level, and 30 miles from mouth of Cañon, No. 35 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Beaver Lake, Conejos Cañon, Colorado, 9.000 feet above sea-level, and 30 miles from mouth of Cañon, No. 35 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Cañon, Valley of the Conejos River, looking south from vicinity of "Lost Lakes", No. 36 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Pah-ge, a Ute Squaw, of the Kah-poh-teh band, Northern New Mexico, No. 39 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Pah-ge, a Ute Squaw, of the Kah-poh-teh band, Northern New Mexico, No. 39 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
One of the group of Pagosa Hot Springs, showing incrustation on the surface. Much prized by the Indians and miners on account of supposed healing qualities. Principal mineral element, Sulphate of Soda, No. 38 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
One of the group of Pagosa Hot Springs, showing incrustation on the surface. Much prized by the Indians and miners on account of supposed healing qualities. Principal mineral element, Sulphate of Soda, No. 38 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Ute Braves, of the Kah-poh-teh band, Northern New Mexico, in "full dress", No. 40 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Ute Braves, of the Kah-poh-teh band, Northern New Mexico, in "full dress", No. 40 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Jicarilla Apache Brave and Squaw, lately wedded. Abiquiu Agency, New Mexico
Jicarilla Apache Brave and Squaw, lately wedded. Abiquiu Agency, New Mexico
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Alpine lakes, and mountain scenery, in the Cerro Blanco Mountains, Colorado, 13.000 feet above sea-level, No. 47 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Alpine lakes, and mountain scenery, in the Cerro Blanco Mountains, Colorado, 13.000 feet above sea-level, No. 47 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Shee-zah-nan-tan, Jicarilla Apache Brave in characteristic Costume, Northern New Mexico, No. 42 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Shee-zah-nan-tan, Jicarilla Apache Brave in characteristic Costume, Northern New Mexico, No. 42 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Baldy Peak, Cerro Blanco Mountains, Colorado, 14.234 feet above sea-level. Limit in altitude of vegetation about 11.000 feet, No. 46 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Baldy Peak, Cerro Blanco Mountains, Colorado, 14.234 feet above sea-level. Limit in altitude of vegetation about 11.000 feet, No. 46 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, No. 44 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Alpine Lake, in the Cerro Blanco Mountains, Colorado. One of a group of ten lakes at the main head of Ute Creek. 11.000 feet above sea-level. Cerro Blanco Peak rises 14.269 feet abov the sea, lying to the westward, No. 45 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Alpine Lake, in the Cerro Blanco Mountains, Colorado. One of a group of ten lakes at the main head of Ute Creek. 11.000 feet above sea-level. Cerro Blanco Peak rises 14.269 feet abov the sea, lying to the westward, No. 45 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
Characteristic ruin, of the Pueblo San Juan, New Mexico, on the north bank of the San Juan River, about 15 miles west of the mouth of Cañon Largo. The present race of Indians know nothing of when or by whom these buildings were constructed. The ruin is about 350 feet square, and built of natural stone, joined together by a mud cement, No. 43 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Characteristic ruin, of the Pueblo San Juan, New Mexico, on the north bank of the San Juan River, about 15 miles west of the mouth of Cañon Largo. The present race of Indians know nothing of when or by whom these buildings were constructed. The ruin is about 350 feet square, and built of natural stone, joined together by a mud cement, No. 43 from the series "Geographical Explorations and Surveys West of the 100th Meridian"
Timothy O'Sullivan
Albumen print, stereo · 1874
Art Institute of Chicago
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