Database / Artworks
Artworks
A Lake in the Tyrol (Un lac du Tyrol)
Jean-Baptiste Camille Corot
etching in red-brown on wove paper · 1863
National Gallery of Art
Plantes de Serre (Greenhouse or Aquatic Plants)
Jules Ferdinand Jacquemart
etching in brown-black on laid paper · 1863
National Gallery of Art
Lumber Schooners at Evening on Penobscot Bay
Fitz Henry Lane
oil on canvas · 1863
National Gallery of Art
Arabs Skirmishing in the Mountains
Eugene Delacroix
oil on canvas · 1863
National Gallery of Art
Sleeping Woman
James McNeill Whistler
chalk and charcoal on cream wove paper mounted on paperboard · 1863
National Gallery of Art
Weary
James McNeill Whistler
drypoint on japanese paper · 1863
National Gallery of Art
Girl with a Shell (Jeune fille à la coquille)
Jean-Baptiste Carpeaux
marble · 1863
National Gallery of Art
Weary
James McNeill Whistler
drypoint on Japanese paper · 1863
National Gallery of Art
Amsterdam from the Tolhuis
James McNeill Whistler
etching and drypoint on laid paper · 1863
National Gallery of Art
Amsterdam from the Tolhuis
James McNeill Whistler
etching and drypoint on laid paper · 1863
National Gallery of Art
Chelsea Wharf
James McNeill Whistler
etching and drypoint on laid paper · 1863
National Gallery of Art
Departure for Work (Le depart pour le travail)
Jean-François Millet
etching · 1863
National Gallery of Art
College Henri IV
Charles Méryon
graphite · 1863
National Gallery of Art
Rébus: "Béranger ne fut véritablement fort, car il n'eut jamais la clef des champs" (Rebus: "Beranger was not really strong, for he never had the key of the fields")
Charles Méryon
etching on D&C Blauw paper · 1863
National Gallery of Art
Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poepo, 1845 (New Caledonia: Large Native Hut on the Road from Balade to Puebo, 1845)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art
Rébus: "Ci-gît la vendetta surannée" (Rebus: "Here Lies the Ancient Vendetta")
Charles Méryon
etching and engraving on wove paper · 1863
National Gallery of Art
Océanie, ilots à Uvea (Wallis); Peche aux palmes, 1845 (Oceania: Fishing, Near Islands with Palms in the Uea or Wallis Group)
Charles Méryon
etching on laid paper · 1863
National Gallery of Art
No se puede mirar (One Can't Look)
Francisco Goya
etching, burnished lavis, drypoint, and burin · 1863
National Gallery of Art
Yo lo vi (I Saw It)
Francisco Goya
etching, drypoint, and burin · 1863
National Gallery of Art
Y esto tambien (And This Too)
Francisco Goya
etching, aquatint or lavis, drypoint, and burin · 1863
National Gallery of Art
Tanto y mas (Even Worse)
Francisco Goya
etching, lavis, and burin · 1863
National Gallery of Art
Ni por esas (Neither Do These)
Francisco Goya
etching, lavis, drypoint, and burin · 1863
National Gallery of Art
Y no hai remedio (And There's No Help for It)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art
No se convienen (They Do Not Agree)
Francisco Goya
etching, drypoint, burin, and burnisher · 1863
National Gallery of Art