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Artworks

Le Nouveau pavage en bois... de Paris
Honoré Daumier
lithograph · 1842
National Gallery of Art

Présentation d'Ulysse a Nausica
Honoré Daumier
lithograph · 1842
National Gallery of Art

Et on appelle ça descendre le fleuve de la vie...
Honoré Daumier
lithograph · 1842
National Gallery of Art

Le Futur monument de Napoléon aux Invalides
Honoré Daumier
hand-colored lithograph · 1842
National Gallery of Art

Impressions de voyage d'un grand poete
Honoré Daumier
lithograph · 1842
National Gallery of Art

Les Journaux bienfaisans
Honoré Daumier
hand-colored lithograph · 1842
National Gallery of Art

Pygmalion
Honoré Daumier
lithograph · 1842
National Gallery of Art

Télémaque interrogé par les sages
Honoré Daumier
lithograph · 1842
National Gallery of Art

Le Supplice de Tantale
Honoré Daumier
lithograph · 1842
National Gallery of Art

Ulysse et Pénélope
Honoré Daumier
lithograph · 1842
National Gallery of Art

L'Acteur des Funambules
Honoré Daumier
lithograph · 1842
National Gallery of Art

Le Claqueur
Honoré Daumier
lithograph · 1842
National Gallery of Art

Le Placeur
Honoré Daumier
lithograph · 1842
National Gallery of Art

L'Oeil du maitre
Honoré Daumier
lithograph · 1842
National Gallery of Art

Dolly Varden
William Powell Frith
Oil paint on wood · 1842
Tate

Galera
Edward Lear
Gouache, chalk and watercolour on paper · 1842
Tate

Study for ‘Arab Shepherds’
William James Muller
Gouache on paper · 1842
Tate

Academy Study
William Mulready
Pastel on paper · 1842
Tate

Beckenham Church, Kent
David Cox
Watercolour on paper · 1842
Tate

The Ford (‘Crossing the Ford’)
William Mulready
Oil paint on mahogany · 1842
Tate

The Magdalen
William Etty
Oil paint on board · 1842
Tate

Genius of Mirth
Thomas Crawford
Marble · 1842
The Metropolitan Museum of Art

Rien n'est si joli que la fable, si triste que la vérité!, plate 30 from the suite Les Lorettes, published in "Le Charivari"
Paul Gavarni
Lithograph; first state of three · 1842
The Metropolitan Museum of Art
The Valley of the Tyne, My Native Country near Henshaw
John Martin
watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping · 1842
Cleveland Museum of Art