Database / Artworks
Artworks
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs
Frederick Christian Lewis
softground etching and aquatint, hand-colored with watercolor · 1803
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton
Frederick Christian Lewis
softground etching and aquatint printed in brown, hand-colored with watercolor · 1803
Cleveland Museum of Art
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal
Frederick Christian Lewis
softground etching and aquatint printed in brown, hand-colored with watercolor · 1803
Cleveland Museum of Art
Tempelruïnes aan een meer in een Italiaans landschap
Clarkson Stanfield
paper, pencil · 1803
Rijksmuseum
Moses with the Tables of the Law
Pieter Gaal
oil paint (paint), canvas · 1803
Rijksmuseum
Charge, from the first issue of Specimens of Polyautography
Robert Ker Porter
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper · 1803
Art Institute of Chicago
Christ Descending into the Grave
Luigi Schiavonetti
etching · 1803
Cleveland Museum of Art
Christ Descending into the Grave
Luigi Schiavonetti, Italian
etching · 1803
Cleveland Museum of Art
Sketches of Figures, Sleds at Bambarg
Samuel Prout, English
Graphite on tan wove paper · 1803
Art Institute of Chicago
Angel of the Resurrection, from the first issue of Specimens of Polyautography
Benjamin West
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography
Henry Fuseli
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper · 1803
Art Institute of Chicago
Frontispiece from Marmion, in the 1809 Royal Engagements Pocket Book
Thomas Stothard
Engraving on paper · 1803
Art Institute of Chicago
Study for frontispiece from Marmion
Thomas Stothard
Ink Wash on paper · 1803
Art Institute of Chicago
Mounted Chasseur
Jean Louis André Théodore Géricault
Graphite, on tan wove paper, perimeter mounted on ivory laid paper · 1803
Art Institute of Chicago
Man of the Hunter Family
Edward Greene Malbone
Watercolor on ivory · 1803
Art Institute of Chicago
Observations on the Theory and Practice of Landscape Gardening
Humphrey Repton
Book with aquatints, some with hand-coloring, wood engravings, letterpress, and one stipple engraving, in black on cream wove paper · 1803
Art Institute of Chicago
Charge, from the first issue of Specimens of Polyautography
Sir Robert Ker Porter
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper · 1803
Art Institute of Chicago
Cavalry Charging, from the first issue of Specimens of Polyautography
Johann Conrad Gessner
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
Landscape with Old Trees by Water, from the first issue of Specimens of Polyautography
Henry Richard Greville, 3rd Earl of Warwick and Brooke
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
Young Boy Seated, from the first issue of Specimens of Polyautography
Thomas Barker
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
The Lost Apple, from the first issue of Specimens of Polyautography
Thomas Stothard
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
Titania's Awakening
Thomas Ryder, I
Etching and stipple on ivory wove paper · 1803
Art Institute of Chicago
Head of a Young Bull, from Die Zweite Thierfolge
Johann Christian Reinhart
Etching on ivory laid paper · 1803
Art Institute of Chicago
Specimens of Polyautography: Landscape with an Oak Tree
Thomas Hearne
lithograph · 1803
Cleveland Museum of Art