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Artworks

173 records
The Actor Nakamura Nakazo I as Tezuka no Taro Mitsumori Disguised as the Monkey Trainer Tonkichi Tochibei, in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the First Month, 1769
The Actor Nakamura Nakazo I as Tezuka no Taro Mitsumori Disguised as the Monkey Trainer Tonkichi Tochibei, in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the First Month, 1769
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
The Actors Nakamura Utaemon I as Karashi Baba (right), and Ichikawa Danjuro IV as Sanshodayu (left), in the Play Kawaranu Hanasakae Hachi no Ki, Performed at the Nakamura Theater in the Eleventh Month, 1769
The Actors Nakamura Utaemon I as Karashi Baba (right), and Ichikawa Danjuro IV as Sanshodayu (left), in the Play Kawaranu Hanasakae Hachi no Ki, Performed at the Nakamura Theater in the Eleventh Month, 1769
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
Actor Bandô Matatarô IV as Gempachibyôe in “Snowflakes: Plum Blossoms Kaomise” (“Mutsu no hana ume no kaomise”)
Actor Bandô Matatarô IV as Gempachibyôe in “Snowflakes: Plum Blossoms Kaomise” (“Mutsu no hana ume no kaomise”)
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi
Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi
Giovanni Battista Piranesi
Etching in red and black ink on ivory laid paper with gilt edges · 1764
Art Institute of Chicago
A. View of the Tomb of Licinianus Piso on the ancient Appian Way... B. Tomb of the Cornelii..., from Views of Rome
A. View of the Tomb of Licinianus Piso on the ancient Appian Way... B. Tomb of the Cornelii..., from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1764
Art Institute of Chicago
Interior view of the so-called Tempio della Tosse [Temple of the Cough], from Views of Rome
Interior view of the so-called Tempio della Tosse [Temple of the Cough], from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1764
Art Institute of Chicago
Interior view of the villa of Maecenas, from Views of Rome
Interior view of the villa of Maecenas, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1764
Art Institute of Chicago
View of the Octagonal Temple of Minerva Medica, from Views of Rome
View of the Octagonal Temple of Minerva Medica, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1764
Art Institute of Chicago
The Actor Sawamura Sojuro II as an Outlaw
The Actor Sawamura Sojuro II as an Outlaw
Katsukawa Shunshō
Color woodblock print; hosoban; from a multisheet composition (?) · 1764
Art Institute of Chicago
Actor Ôtani Hiroji III Striking a Stage Pose before a Stone Gateway
Actor Ôtani Hiroji III Striking a Stage Pose before a Stone Gateway
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
The Actor Nakamura Utaemon I as Kudo Suketsune Disguised as a Beggar in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the First Month, 1769
The Actor Nakamura Utaemon I as Kudo Suketsune Disguised as a Beggar in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the First Month, 1769
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
The Actor Nakamura Nakazo I as Izu no Jiro Disguised as Kemmaku no Sabu in the Play Edo-zakura Sono Omokage, Performed at the Nakamura Theater in the Fifth Month, 1769
The Actor Nakamura Nakazo I as Izu no Jiro Disguised as Kemmaku no Sabu in the Play Edo-zakura Sono Omokage, Performed at the Nakamura Theater in the Fifth Month, 1769
Katsukawa Shunshō
Color woodblock print; hosoban · 1764
Art Institute of Chicago
Mrs. Thomas Sprigg
Mrs. Thomas Sprigg
John Hesselius
Oil on canvas · 1764
Art Institute of Chicago
A House on Water, and a New Way to Summon Geese by the Beat of a Drum
A House on Water, and a New Way to Summon Geese by the Beat of a Drum
Jean-Pierre
etching · 1764
Cleveland Museum of Art
Pumpkins Used as Dwellings to Be Secure against Wild Beasts
Pumpkins Used as Dwellings to Be Secure against Wild Beasts
Jean-Pierre
etching · 1764
Cleveland Museum of Art
A Savage mounted on a winged Serpent battling with a wild beast resembling a Porcupine
A Savage mounted on a winged Serpent battling with a wild beast resembling a Porcupine
Jean-Pierre
etching · 1764
Cleveland Museum of Art
The Manner of Transporting Wares on Barges Drawn by a Bellows
The Manner of Transporting Wares on Barges Drawn by a Bellows
Jean-Pierre
etching · 1764
Cleveland Museum of Art
Title and Dedication Page
Title and Dedication Page
Jean-Pierre
etching · 1764
Cleveland Museum of Art
Scholar Watching the Waterfall
Scholar Watching the Waterfall
Luo Ping
Hanging scroll; ink and light color on paper · 1764
Cleveland Museum of Art
Man Reading a Book
Man Reading a Book
Salomon Gessner
Etching on cream laid paper · 1764
Art Institute of Chicago
Sheep by a Statue of Pan, plate five from Paysages Dédiés à M. Warelet
Sheep by a Statue of Pan, plate five from Paysages Dédiés à M. Warelet
Salomon Gessner
Etching on cream laid paper · 1764
Art Institute of Chicago
The Trellised Fountain, frontispiece from Paysages Dédiés à M. Warelet
The Trellised Fountain, frontispiece from Paysages Dédiés à M. Warelet
Salomon Gessner
Etching on cream laid paper · 1764
Art Institute of Chicago
Fishermen with Children, plate two from Paysages Dédiés à M. Warelet
Fishermen with Children, plate two from Paysages Dédiés à M. Warelet
Salomon Gessner
Etching on cream laid paper · 1764
Art Institute of Chicago
Fishing from a Window, plate three from Paysages Dédiés à M. Warelet
Fishing from a Window, plate three from Paysages Dédiés à M. Warelet
Salomon Gessner
Etching on cream laid paper · 1764
Art Institute of Chicago
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