Database / Artworks
Artworks
Contouren van De grootmoedigheid van Scipio
Benedetto Caliari
pen on ink, paper · 1550
Rijksmuseum
Dagger with Scabbard
Wolf Paller
Steel, silver, ray skin, leather, wood · 1550
The Metropolitan Museum of Art
Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Armor of the Dukes of Alba
Lucio Piccinino
Steel, gold, silver · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Ugolino en zijn vier zonen de hongersdood stervend
Pierino da Vinci
stucco · 1550
Rijksmuseum
Half-Length Figure Study of a Woman
Cigoli
red chalk over traces of black chalk · 1550
Cleveland Museum of Art
Plate
Courtois
painted enamel on copper · 1550
Cleveland Museum of Art
Profile of a Woman's Head (recto) A Kitchen Maid (verso)
Alessandro Casolani
black chalk(?) with traces of red chalk · 1550
Cleveland Museum of Art
Profile of a Woman's Head (recto)
Alessandro Casolani
black chalk(?) with traces of red chalk · 1550
Cleveland Museum of Art
A Kitchen Maid (verso)
Alessandro Casolani
black chalk(?) · 1550
Cleveland Museum of Art
Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art
Holy Family
Battista Angolo del Moro
Engraving · 1550
The Metropolitan Museum of Art
Sketches of a Standing Saint Holding a Sword (recto); Sketches of Figures and Heads (verso)
Lombard
Pen and brown ink, with a traces of red chalk (recto) and pen and brown ink (verso), on buff laid paper · 1550
Art Institute of Chicago
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
The Blind Leading the Blind
Hieronymus Cock
engraving · 1550
Cleveland Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
Portrait of a Woman
Jan Claudius de Cock, Flemish
Oil on panel · 1550
Art Institute of Chicago
Portrait of a Woman
Abraham Genoels, Flemish
Oil on panel · 1550
Art Institute of Chicago
Portrait of a Woman
Gaspar van Wittel, Flemish
Oil on panel · 1550
Art Institute of Chicago
Portrait of a Woman
Frans van den Wyngaerde, Flemish
Oil on panel · 1550
Art Institute of Chicago
Pendant with a Cameo of Orpheus Charming the Animals
Alessandro Masnago
Chalcedony, gold, and enamel · 1550
Art Institute of Chicago