Database / Artworks

Artworks

862 records
Mr. Fleming as Edgar: "Away! the foul fiend follows me" (King Lear, Act 3, Scene 4)
Mr. Fleming as Edgar: "Away! the foul fiend follows me" (King Lear, Act 3, Scene 4)
Samuel Hollyer
Stipple and line engraving · 1855
The Metropolitan Museum of Art
Valentine Affection (valentine)
Valentine Affection (valentine)
Thomas Wood Stevens
Collaged element and gold and green paint on cut and embossed (designed) ivory wove paper · 1855
Art Institute of Chicago
Weddings Now Are All the Go (valentine)
Weddings Now Are All the Go (valentine)
Thomas Wood Stevens
Collaged elements on cut and embossed (designed) ivory wove paper · 1855
Art Institute of Chicago
Portret van John Jackson, bisschop van Lincoln
Portret van John Jackson, bisschop van Lincoln
Henry Hering
albumen print on cardboard, photographic support · 1855
Rijksmuseum
Interior of the Redan
Interior of the Redan
Alexander Robertson James
Albumen print · 1855
Art Institute of Chicago
Cemetery on Cathcart's Hill
Cemetery on Cathcart's Hill
Alexander Robertson James
Albumen print · 1855
Art Institute of Chicago
Interior of the (Russian) Barrack Battery, Showing Mantelets
Interior of the (Russian) Barrack Battery, Showing Mantelets
Alexander Robertson James
Salted paper print, from the album "Photographs Taken in the Crimea" (1856) · 1855
Art Institute of Chicago
A Domestic Cat Playing with a Garter Snake, from "Eaux-Fortes Animaux & Paysages"
A Domestic Cat Playing with a Garter Snake, from "Eaux-Fortes Animaux & Paysages"
Karl Bodmer
Etching · 1855
The Metropolitan Museum of Art
Two Pheasants in a Forest
Two Pheasants in a Forest
Karl Bodmer
Etching · 1855
The Metropolitan Museum of Art
Peacocks on a Branch
Peacocks on a Branch
Karl Bodmer
Etching · 1855
The Metropolitan Museum of Art
Deer at Rest
Deer at Rest
Karl Bodmer
lithograph · 1855
Cleveland Museum of Art
Three Pigs Near a Fence
Three Pigs Near a Fence
Karl Bodmer
Etching · 1855
The Metropolitan Museum of Art
Canards (Ducks)
Canards (Ducks)
Karl Bodmer
lithograph on chine collé · 1855
Cleveland Museum of Art
Aantekening van Ernest Antoine Auguste Hébert
Aantekening van Ernest Antoine Auguste Hébert
Antoine Auguste Ernest Hébert
writing (processes) on paper, ink · 1855
Rijksmuseum
Mary, Queen of Scots (frontispiece, from "Graham's Magazine," volume 46, number 4)
Mary, Queen of Scots (frontispiece, from "Graham's Magazine," volume 46, number 4)
Thomas Hunt
Stipple engraving · 1855
The Metropolitan Museum of Art
Two Gentlemen and a Lady
Two Gentlemen and a Lady
Constantin Guys
Pen and brown ink, brush and brown, green and blue wash, over graphite with touches of red chalk · 1855
The Metropolitan Museum of Art
The Supper After the Masked Ball
The Supper After the Masked Ball
Thomas Couture
Woodcut with painted and stenciled additions on tan wove paper, laid down on fabric, and stretched on a wooden stretcher · 1855
Art Institute of Chicago
Game Pie Dish (Lid)
Game Pie Dish (Lid)
Minton Pottery and Porcelain Factory
earthenware · 1855
Cleveland Museum of Art
Wereldtentoonstelling in het Palais de l'Industrie te Parijs, ter ere van Napoleon III, keizer der Fransen
Wereldtentoonstelling in het Palais de l'Industrie te Parijs, ter ere van Napoleon III, keizer der Fransen
Armand Auguste Caqué
striking (metalworking) on composition (material) · 1855
Rijksmuseum
Opening van het Palais de l'Industrie te Parijs 1855
Opening van het Palais de l'Industrie te Parijs 1855
Armand Auguste Caqué
striking (metalworking) on bronze (metal) · 1855
Rijksmuseum
Gail & Co slaat de erepenningen voor de Wereldtentoonstelling te Parijs 1855
Gail & Co slaat de erepenningen voor de Wereldtentoonstelling te Parijs 1855
Armand Auguste Caqué
striking (metalworking) on tin (metal) · 1855
Rijksmuseum
Étagère
Étagère
Julius Dessoir, active NY
furniture, decorative arts, étagère — rosewood, maple, glass mirror, brass · 1855
Cooper Hewitt, Smithsonian Design Museum
Shakespeare service
Shakespeare service
Binns & Co. Kerr
Plate · 1855
Victoria and Albert Museum
Sample
Sample
Manchester Print Works, American
printed, dyed & painted textiles, sample — medium: cotton technique: printed · 1855
Cooper Hewitt, Smithsonian Design Museum
Go to pageof 36