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Artworks

281 records
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Preliminary Sketch for Plate 4 of ‘Treatise on Zodiacal Physiognomy’
Preliminary Sketch for Plate 4 of ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite and ink on paper · 1828
Tate
Preliminary Sketch for Plate 3 of ‘Treatise on Zodiacal Physiognomy’
Preliminary Sketch for Plate 3 of ‘Treatise on Zodiacal Physiognomy’
John Varley
Graphite on paper · 1828
Tate
Venice: Ducal Palace with a Religious Procession
Venice: Ducal Palace with a Religious Procession
Richard Parkes Bonington
Oil paint on canvas · 1828
Tate
Sketch for ‘Hadleigh Castle’
Sketch for ‘Hadleigh Castle’
John Constable
Oil paint on canvas · 1828
Tate
The First Duke of Wellington (after Joseph Nollekens)
The First Duke of Wellington (after Joseph Nollekens)
Edward Hodges Baily
Marble · 1828
Tate
Corridor Leading to the Sacristy of Santa Croce, Florence
Corridor Leading to the Sacristy of Santa Croce, Florence
John Frederick Lewis
Graphite and chalk on paper · 1828
Tate
Study for ‘Interior of an English Cottage’
Study for ‘Interior of an English Cottage’
William Mulready
Oil paint on wood · 1828
Tate
Christ and the Woman of Samaria
Christ and the Woman of Samaria
George Richmond
Tempera and shell gold on mahoghany · 1828
Tate
Job and his Family
Job and his Family
William Blake
Line engraving on paper · 1828
Tate
The Custom House at Greenock, Scotland
The Custom House at Greenock, Scotland
Robert Salmon
oil paint · 1828
The Metropolitan Museum of Art
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