Database / Artworks
Artworks
The Swiss Sentry at the Louvre (Le factionnaire Suisse au Louvre)
Théodore Géricault
lithograph · 1818
National Gallery of Art
Retreat from Russia (Retour de Russie)
Théodore Géricault
lithograph · 1818
National Gallery of Art
Carle Vernet, Full-Length
Horace Vernet
lithograph · 1818
National Gallery of Art
Lady with a Harp: Eliza Ridgely
Thomas Sully
oil paint · 1818
National Gallery of Art
The White Horse
John Constable
oil on canvas · 1818
National Gallery of Art
The Logan Rock, Cornwall
Peter De Wint
Intaglio print on paper · 1818
Tate
The Logan Rock, Cornwall
Peter De Wint
Intaglio print on paper · 1818
Tate
Cowes Castle, Isle of Wight
Peter De Wint
Intaglio print on paper · 1818
Tate
Cowes Castle, Isle of Wight
Peter De Wint
Intaglio print on paper · 1818
Tate
The Revd Dr James Andrew
John Constable
Oil paint on canvas · 1818
Tate
Mrs James Andrew
John Constable
Oil paint on canvas · 1818
Tate
Seashore with Cliff
Henry Edridge
Graphite on paper · 1818
Tate
North-West View of the Tower of the Church of Graville, Near Havre de Grace
John Sell Cotman
Graphite and watercolour on paper · 1818
Tate
West View of the Castle at Falaise
John Sell Cotman
Graphite and watercolour on paper · 1818
Tate
Château Gaillard
John Sell Cotman
Graphite and watercolour on paper · 1818
Tate
North-West View of the Castle at Falaise
John Sell Cotman
Graphite and watercolour on paper · 1818
Tate
Mrs. John Biddle (Eliza Falconer Bradish)
Thomas Sully
oil paint · 1818
The Metropolitan Museum of Art
Allegory
Charles Abraham Chasselat
pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black ink · 1818
Cleveland Museum of Art
Skewer
William Eley
silver · 1818
Cleveland Museum of Art
A New Mode of Presenting Two Addresses at Once
Charles Williams Argus
Hand-colored etching on ivory laid paper · 1818
Art Institute of Chicago
Binnenhaven en kade te Fécamp
John Sell Cotman
brush on paper, pencil · 1818
Rijksmuseum
Castle Acre Priory
David Lucas
paper · 1818
Rijksmuseum
Allegory
Charles Abraham Chasselat, French
pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black ink · 1818
Cleveland Museum of Art
Portrait of a Woman
Anna Claypoole Peale
Watercolor on ivory · 1818
Art Institute of Chicago