Database / Artworks

Artworks

285 records
Arabesque Ornament Designs
Arabesque Ornament Designs
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Arabesque Design
Arabesque Design
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Arabesque Design
Arabesque Design
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Assiette a feuille de choux
Assiette a feuille de choux
Sèvres porcelain factory
Plate · 1787
Victoria and Albert Museum
Arabesque Design
Arabesque Design
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Arabesque Design
Arabesque Design
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Arabesque Ornament Design
Arabesque Ornament Design
Charles Normand, French
print — etching on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Man the Farmer, Diana the Goddess of the Hunt, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Man the Farmer, Diana the Goddess of the Hunt, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Designs for Five Console Tables, Three with Candlesticks, Probably for Rooms in the Palazzo Altieri, Rome
Designs for Five Console Tables, Three with Candlesticks, Probably for Rooms in the Palazzo Altieri, Rome
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1787
Cooper Hewitt, Smithsonian Design Museum
Vulcan, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Vulcan, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on rolled paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Wall Elevation, Probably for the Noble Cabinet, Palazzo Altieri
Wall Elevation, Probably for the Noble Cabinet, Palazzo Altieri
Giuseppe Barberi, Italian
interiors, drawing — pen and brown ink on off-white laid paper, lined · 1787
Cooper Hewitt, Smithsonian Design Museum
Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the "Raccolta Di Disegni Originali Di Mauro Tesi..."
Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the "Raccolta Di Disegni Originali Di Mauro Tesi..."
Count Cesare Massimiliano Gini, Italian
ephemera, print — etching with aquatint, printed in brown ink on white laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-Sinibaldi
Pales, Triptolemus, Decoration for a Vault, Sala dei Legislatori, Palazzo Conti-Sinibaldi
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Inkstand
Inkstand
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined · 1787
Cooper Hewitt, Smithsonian Design Museum
Sugar Bowl, from the Duc d'Orléans Service
Sugar Bowl, from the Duc d'Orléans Service
Tournai Porcelain Factory, Belgian, established ca. 1750
ceramics, decorative arts, sugar bowl — soft paste porcelain, vitreous enamel, gold · 1787
Cooper Hewitt, Smithsonian Design Museum
Bacchus, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Bacchus, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Design for Arabesque in Candelabra Form, Probably for the Red Room in the Palazzo Altieri, Rome
Design for Arabesque in Candelabra Form, Probably for the Red Room in the Palazzo Altieri, Rome
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and brown wash on off-white laid paper, lined · 1787
Cooper Hewitt, Smithsonian Design Museum
Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and bistre wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
Man the Hunter, Man the Shepherd, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Man the Hunter, Man the Shepherd, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and greyish-brown wash over black chalk on laid paper · 1787
Cooper Hewitt, Smithsonian Design Museum
View of London with St. Paul’s in the distance: a family pausing on a road
View of London with St. Paul’s in the distance: a family pausing on a road
Julius Caesar Ibbetson
Watercolor, pen and ink · 1787
The Metropolitan Museum of Art
View of London with St. Paul’s in the distance: woman and children with a baby carriage
View of London with St. Paul’s in the distance: woman and children with a baby carriage
Julius Caesar Ibbetson
Watercolor, pen and ink · 1787
The Metropolitan Museum of Art
I Reread them with Pleasure
I Reread them with Pleasure
Marguerite Gérard
oil paint · 1787
National Gallery of Art
Interior of St. Peter’s, with the Illumination of the Cross of St. Peter
Interior of St. Peter’s, with the Illumination of the Cross of St. Peter
Francesco Piranesi
etching on laid paper · 1787
National Gallery of Art
Studies of Men Running
Studies of Men Running
William Etty
graphite on wove paper · 1787
National Gallery of Art
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