Database / Artworks
Artworks
The Right Honorable James Caulfield, Earl of Charlemont of the Kingdom of Ireland, Head of the Volunteers
Joseph Haynes
Etching; proof before letters · 1782
The Metropolitan Museum of Art
Sudden Shower at Mimeguri Shrine
Torii Kiyonaga
Color woodblock print; left sheet of oban triptych · 1782
Art Institute of Chicago
Spring Outing to Mukojima
Torii Kiyonaga
Color woodblock print; right sheet of oban triptych · 1782
Art Institute of Chicago
Cherry Blossom Viewing at Asuka Hill
Torii Kiyonaga
Color woodblock print; right sheet of oban triptych · 1782
Art Institute of Chicago
Sudden Shower at Mimeguri Shrine
Torii Kiyonaga
Color woodblock print; right sheet of oban triptych · 1782
Art Institute of Chicago
The First Garments of the New Year (Kiso hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1782
Art Institute of Chicago
The First Day of Business (Akinai hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Woodblock print; oban, keyblock proof impression · 1782
Art Institute of Chicago
The First Calligraphy of the New Year (Kissho hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1782
Art Institute of Chicago
The First Horseback Ride of the New Year (Uma norizome), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1782
Art Institute of Chicago
The First Archery Practice of the New Year (Yumi hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1782
Art Institute of Chicago
The First Bath of the New Year (Yudono hajime), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Woodblock print; oban, keyblock proof impression · 1782
Art Institute of Chicago
Opening the Storehouse (Kurabiraki), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)"
Torii Kiyonaga
Color woodblock print; oban, page from an illustrated book · 1782
Art Institute of Chicago
The Courtesan Maizumi of the Daimonjiya with Her Attendants Shigeki and Naname, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo)"
Torii Kiyonaga
Color woodblock print; oban · 1782
Art Institute of Chicago
A Party Viewing the Moon Across the Sumida River
Torii Kiyonaga
Color woodblock print; oban triptych · 1782
Art Institute of Chicago
Lion with Ball
Giuseppe Bernardino Bison
Pen and brown ink, with graphite, on off-white wove paper · 1782
Art Institute of Chicago
Madonna and Child with Infant John the Baptist and Ecclesiastic Saint
Giuseppe Bernardino Bison
Pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, laid down on ivory laid paper · 1782
Art Institute of Chicago
Jean de La Fontaine
Pierre-Michel Alix
color aquatint from four plates with burnishing on off-white woven paper. · 1782
Art Institute of Chicago
Les offres seduisantes (The Tempting Offers)
Jean Louis Delignon
Engraving and etching on ivory laid paper · 1782
Art Institute of Chicago
The Old Woman; from "The Office of The Count of Vence"
Pierre François Basan
Engraving · 1782
The Metropolitan Museum of Art
Covered Communion Flagon with Spout
Stephen Maxwell
Pewter · 1782
Art Institute of Chicago
La Motte-Piquet Sauve un Convoi (Motte-Piquet Saves a Convoy) (Furnishing Fabric)
Pierre Ozanne
Cotton, plain weave; copperplate printed · 1782
Art Institute of Chicago
Monk Renshō Riding His Horse Backwards
Goshun
Hanging scroll; ink on paper · 1782
The Metropolitan Museum of Art
The Irish Volunteers (Furnishing Fabric)
Gabriel Beranger
Linen and cotton, plain weave; copperplate printed; painted · 1782
Art Institute of Chicago
Edward, Lord Thurlow
Francesco Bartolozzi
Etching, engraving, and stipple engraving on off-white paper · 1782
Art Institute of Chicago