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Artworks

244 records
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Richard Holmes Laurie, English
Oil on panel · 1597
Art Institute of Chicago
Minerva, or "Arma" (Allegory of the Art of War), pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series
Minerva, or "Arma" (Allegory of the Art of War), pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series
Jan van der Straet, called Stradanus, Flemish
print — engraving on paper · 1597
Cooper Hewitt, Smithsonian Design Museum
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Thomas Bentley, English
Oil on panel · 1597
Art Institute of Chicago
Two studies of a saddled horse and of a horse with a boy astride; verso: Study of a bean plant
Two studies of a saddled horse and of a horse with a boy astride; verso: Study of a bean plant
Jacques de Gheyn, II
Pen and brown ink; verso: pen and brown ink, green and brown watercolour, gray wash · 1597
The Metropolitan Museum of Art
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Thomas Johnson, English
Oil on panel · 1597
Art Institute of Chicago
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Rudolph Ackermann, English, b. Germany
Oil on panel · 1597
Art Institute of Chicago
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Minton's Art Pottery Studio, English
Oil on panel · 1597
Art Institute of Chicago
Henry VIII, Elizabeth I, and Edward VI
Henry VIII, Elizabeth I, and Edward VI
Thomas Chawner, English
Oil on panel · 1597
Art Institute of Chicago
The Holy Family
The Holy Family
Agostino Carracci
laid paper · 1597
National Gallery of Art
Pieta (the "Christ of Caprarola")
Pieta (the "Christ of Caprarola")
Annibale Carracci
etching, engraving, and drypoint on laid paper · 1597
National Gallery of Art
Ceiling Studies of a Prophet and a Putto Seen from Below
Ceiling Studies of a Prophet and a Putto Seen from Below
Giulio Cesare Procaccini
oiled black chalk or charcoal, heightened with white chalk on blue-green laid paper · 1597
National Gallery of Art
Elegantly Dressed Soldier Tamping His Caliver
Elegantly Dressed Soldier Tamping His Caliver
Jacques de Gheyn, II
pen and brown ink with gray wash on laid paper · 1597
National Gallery of Art
Elegantly Dressed Soldier Preparing to Fire His Caliver
Elegantly Dressed Soldier Preparing to Fire His Caliver
Jacques de Gheyn, II
pen and brown ink with gray wash on laid paper · 1597
National Gallery of Art
Allegory of Vanity
Allegory of Vanity
Cornelis Schut, I
etching on laid paper · 1597
National Gallery of Art
Three Flying Putti
Three Flying Putti
Cornelis Schut, I
engraving and etching on laid paper; laid down · 1597
National Gallery of Art
Three Flying Putti
Three Flying Putti
Cornelis Schut, I
engraving and etching on laid paper · 1597
National Gallery of Art
Standing Man Wearing a Cloak and Hat
Standing Man Wearing a Cloak and Hat
Matteo Rosselli
red chalk on laid paper · 1597
National Gallery of Art
River God with Putti
River God with Putti
Cornelis Schut, I
pen and gray and black ink with brush and gray wash on laid paper · 1597
National Gallery of Art
The Virgin and Child with John the Baptist
The Virgin and Child with John the Baptist
Cornelis Schut, I
black chalk on laid paper · 1597
National Gallery of Art
Satyr Holding a Roundel
Satyr Holding a Roundel
Annibale Carracci
black chalk on gray-blue paper · 1597
National Gallery of Art
Neptune with Two Horses on the Sea
Neptune with Two Horses on the Sea
Cornelis Schut, I
etching · 1597
National Gallery of Art
Coronation of the Virgin
Coronation of the Virgin
Cornelis Schut, I
etching and drypoint · 1597
National Gallery of Art
Grammatica
Grammatica
Cornelis Schut, I
etching · 1597
National Gallery of Art
The Drunken Silenus ("The Tazza Farnese")
The Drunken Silenus ("The Tazza Farnese")
Annibale Carracci
engraving on laid paper · 1597
National Gallery of Art
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