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Artworks

12,379 records · Met Museum
The Elevation of the Cross from a set of The Passion
The Elevation of the Cross from a set of The Passion
Hans Wechtlin
Wool, silk, metal thread (20 warp threads per inch, 8 per cm.) · 1600
The Metropolitan Museum of Art
Ten Men and Four Boys Singing in a Church
Ten Men and Four Boys Singing in a Church
Pieter de Jode II
Etching and engraving · 1600
The Metropolitan Museum of Art
Dish
Dish
Bernard Palissy
Lead-glazed earthenware · 1600
The Metropolitan Museum of Art
Tail-piece: Woman's Head (Cul-de-lampe: Buste de femme)
Tail-piece: Woman's Head (Cul-de-lampe: Buste de femme)
Claude Mellan
Engraving · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Madonna and Child with Saints and Donors
Madonna and Child with Saints and Donors
Sebastiano del Piombo
oil paint · 1600
The Metropolitan Museum of Art
Study of a Blasted Tree Trunk and Branches
Study of a Blasted Tree Trunk and Branches
Simon de Vlieger
Black chalk, brown wash, heightened with yellowish white chalk. Framing line in pen and black ink · 1600
The Metropolitan Museum of Art
Child reclining
Child reclining
Rombout Verhulst
Marble · 1600
The Metropolitan Museum of Art
Landscape with view of a town (one of three)
Landscape with view of a town (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Rest on the flight into Egypt
Rest on the flight into Egypt
Francesco Brizio
Engraving · 1600
The Metropolitan Museum of Art
Scene of Africa (Allegory?)
Scene of Africa (Allegory?)
Pieter van Laer
Pen and brown ink, brush and gray wash, traces of red chalk; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Local ring dial
Local ring dial
T. W. Smillie
Brass · 1600
The Metropolitan Museum of Art
Virgin adoring the Christ Child
Virgin adoring the Christ Child
Orsi
Ivory · 1600
The Metropolitan Museum of Art
River Landscape with Traveler
River Landscape with Traveler
Cornelis Vroom
Pen and brown ink, touches of brush and brown wash; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
The crucified Christ
The crucified Christ
Antonio Susini
Bronze · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Landscape
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
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